Earlier this winter I had evolved a plan to visit Death Valley earlier in the year than I usually do – I was planning on going later this week. However, as the season as unfolded it has turned out to be a very wet one in DEVA NP. According to reports (including this one) many roads are closed or washed out, including those to some of the places I was planning to visit. While the wet conditions also bring some special and unusual opportunities (including landscapes with reflections in ponds), at this point I’m going to hold off and reschedule my visit for the end of March.
By that time there is a good chance that more of the closed areas will have reopened. I have a hunch that this might also end up being a special year for wildflowers – and if I’m lucky I might manage to be there at right about the best time.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Black and white photographs of visitors to the ruins of the Sutro Baths below the Cliff House, San Francisco, California.
I have known of the Sutro Baths ruins for a long time – since I was a child, really – and I’ve seen them before from the top of the bluff near the iconic Cliff House Restaurant at the north end of San Francisco’s Ocean Beach. But this was my first visit to the actual site. The story is that this is the site of what was once a large privately-operated pool and bath complex that sat right on the edge of the Pacific Ocean. Decades ago it was being demolished (or so I understand) when there was a fire that destroyed the buildings and left only the foundations and what appear to be the outlines of old pools. To me the site feels like visiting some very ancient ruins.
On the day we visited the surf was fairly large. While I’m sure it gets even larger in the middle of a bit Pacific winter storm, it was impressive nonetheless, especially since the site of the baths is right on the edge of the ocean. The light was wonderful. Even though it was essentially midday when we visited, the light was softened and diffused by a combination of clouds and the thick mist created by the spray from the waves. Although I had a tripod with me, I had left it in the car – so this is a hand held photograph. I think that actually turned out to my benefit, since without the tripod I could shoot more spontaneously. I had been watching and thinking about this particular spot and a composition that included the lines and shadows and angles of these walls with the Cliff House beyond. But all of a sudden I saw the people in the scene move into positions that I thought were interesting and I had to react quickly.
I’m not sure how well this photograph will work for most viewers, but at the moment it is one of my favorite recent images. Especially in the 13″ x 19″ test print I made this evening, there is – to me at least – a ton of interesting stuff going on in the scene. (Unfortunately, some of that detail may well be lost in this small jpg version.)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
An old suburban home with barred window, purple trim, brick steps, and plastic Christmas Tree – San Jose, California.
I made this photograph on a late afternoon/early evening “photo walk” from my home. This is an interesting and perplexing building. It is a very unusual home, as you can see from the unusual room line and the shapes at the end of the rounded eaves. Someone perhaps once put a lot of thought and effort into creating such an unusual building – unlike most others in the area. But as the place has aged the result has not been wholly wonderful. The purple paint isn’t necessarily a bad thing – just a bit unusual – but it is quite worn. The tiny plastic Christmas tree to the right of the front door is a strange touch; it still has a very small string of lights attached. And things are a bit off-kilter. The room angles don’t quite match up and the grate over the window tilts to one side. Although this was originally a home, I can’t really tell for sure if it is still a home or if it has become some sort of office or business.
Black and white photograph of Pacific Ocean winter surf at the Cliff House, San Francisco, California.
This was not what I was supposed to photograph on the final day of January. I went to San Francisco to visit my son and then do some street/urban photograph while walking around the city. I expected that we might start in the Mission where he lives – and we actually sort of did, beginning with breakfast at Tartine Bakery. After finishing up we were deciding whether to head toward downtown on foot or catch BART, and I mentioned that since I had my car he might want to go to someplace farther away. He suggest Sutro Baths over in the Cliff House and Ocean Beach area, so off we went.
Although I’ve seen lots of interesting photography from this location – especially some interesting night photography work – I had not photographed there before. The baths are the ruins of what were once apparently some large facilities right next to the rugged shoreline here, but today little remains besides foundations, some low walls, and some remaining pools. I was a bit surprised to find the surf raging; I hadn’t thought it would be an especially high surf day since this was during a lull between storms.
Before long I spotted some of my favorite seascape conditions, bright reflections on the the wild Pacific Ocean winter surf, backlit by sun shining through fog and haze. Although I had no tripod I went ahead and shot some hand held seascapes. I’ve previously mentioned that I don’t always know while shooting whether or not photographs will end up in black and white, but with these I was pretty certain from the beginning. The building in the upper left is the Cliff House, the most recent iteration of a facility that has stood here for a long time.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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