Black and white photograph of dawn virga above mountains ringing Mono Lake.
Before dawn clouds formed by tropical moisture streaming up from the south had formed to the east of the Mono Basin and virga (rain that doesn’t make it all the way to the ground) was falling from them as the sky began to lighten. As I photographed alone from a high vantage point above the lake I was struck – how could you not be! – but the vast scale and the immense stillness and quiet of this landscape.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 200mm
ISO 100, f/8, 1/15 second
keywords: mono, lake, county, california, usa, north america, virga, rain, clouds, morning, dawn, reflection, mountains, ridge, hills, shore, line, tufa, towers, still, landscape, nature, eastern, sierra, nevada, desert, high, black and white, monochrome, stock
Dawn light illuminates the Jeffrey pine covered ridge of a volcanic dome in the Mono Craters complex, California.
I have a favorite personal spot where I often stop on my way to photograph at South Tufa at Mono Lake. It is spot that you would likely pass right by since, save for a bit of a panoramic view, there is nothing immediately impressive about it, and because you would probably be on your way to someplace else, namely the formations at South Tufa.
On this late June morning I took a break from photographing in the Tuolumne/Tioga Pass area to shoot a bit around Mono Lake, where I had it in mind to shoot certain high desert subjects that I’ve worked on in the past. As I shot those other subjects I’ve often looked up at this particular ridge, been impressed by it, and wondered how to make a photograph of it. When I pulled up at this spot I first intended to shoot a scene that appears to the west, but it turned out to not be quite what I imagined it might be on this morning. Ah, well – that happens! So I turned my camera in a different direction and photographed a somewhat different subject as dawn approached with some very interesting clouds in the sky to the east. As I worked on this I kept glancing up at this volcanic ridge, thinking that the clouds behind it might silhouette the trees along the skyline… but still finding the light too flat and boring. I actually made a photo or two, but wasn’t enthusiastic about it. I turned back to the other subject. A few minutes later I looked back up at this ridge and saw that the first light of early morning sun was glancing across the ridge and lighting up the Jeffrey pines that grow on its slopes. I quickly pivoted around and made a few exposures of the scene in the “good light.”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light glances across the surface of Tenaya Lake, sprinkled with pollen, and illuminated shoreline trees and boulder, Yosemite National Park, California.
Shortly after the sun cleared the surrounding peaks, the morning light slants across the pollen-covered surface of Tenaya Lake to illuminate two small trees and their larger neighbors, along with a small peninsula and some shoreline boulders. This is an area in which I have photographed in the past, but this time I arrived much earlier in the day and the water level was still considerably higher than later in the season due to the heavy snow melt run-off that had peaked only a week or two earlier.
Black and white photograph of clouds reflected in the surface of shoreline water on a frozen alpine lake, Yosemite National Park.
Once I discovered the reflections of evening clouds in this narrow band of water between the ice and the shoreline of this frozen lake, I managed to make several exposures as the clouds continuously moved past. (I earlier posted a color photograph taken at about the same time.) As I went through the group of images I wanted to try one in a black and white rendition and this one seemed like the of the bunch for that interpretation.
Since the “abstractness” of this scene is what drew me to it, I decided to run with that idea in this version. Although it may not be apparent, this interpretation is the result of more post-processing work than was the case with the similar color photograph.
(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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