December | 2010 | G Dan Mitchell Photography

Meadow grasses made shiny by autumn rain, Yosemite Valley, California.

This fall I have been “playing around” with photographs of very dense and detailed vegetation. (Two other recent related photographs include one of aspen leaves and one of creek dogwood.) This is a difficult thing, especially with a subject whose colors seem somewhat muted, but if it works the largish prints can work both by revealing some form that might be difficult to see in all the detail and by presenting the detail itself. (As much as many of us rightfully point out that sharpness is not everything, sometimes it is pretty important!)

I noticed the subject of this photograph while shooting something quite different. I was standing in a meadow near Curry Village in light rain and using a very long lens to photograph mist and clouds drifting among trees and spires high on the Yosemite Valley rim when I happened to look down at my feet. (Always a good idea to look at the other stuff when shooting a specific subject that you came for.) I noticed the shapes of the grasses and the mixture of greens and browns with the “cool” light from the cloudy conditions. Since I couldn’t shoot this subject with the lens I was using at the moment, I went back to the other subject and made a mental note to switch lens and pay some attention to the grasses when I finished.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

This photograph of this scene was made a bit earlier than the companion photograph that I posted yesterday – here there is a much warmer tone to the light since it is only shortly after sunset. (For those who didn’t see yesterdays long post, these old pilings used to support a pier near the town of Davenport, along the California coast just north of Santa Cruz.)

This photograph was made with a slightly long exposure time of six seconds, with the idea obviously being to allow wave motion to smooth out the texture of the water’s surface. A six-second exposure is not nearly long enough to really smooth out the features of the water, and you can still see localized lower and higher areas from the incoming waves. Interestingly, the birds on the tops of the structures – barely visible here but clearly visible in larger versions – barely move at all after sunset. You might not even notice the movement in this exposure and even in the three-minute exposure that I made a bit later the birds are mostly still!

Although I rarely do so, in this photograph I stopped down all the way to f/22. The concern with that aperture on a full frame DSLR is that some visible diffraction blur may begin to appear. Indeed, if I inspect this photograph at 100% magnification, there is a slight softening of fine detail – just as I knew there would be. I chose to use the longer aperture because it allowed me to double the exposure time without using neutral density filters, and I was willing to do so here because absolute sharpness is much less important to this image than it might be in other cases.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

G Dan Mitchell Photography

Monthly Archives: December 2010

Meadow Grasses, Autumn Rain

Abandoned Pier, Davenport, Dusk

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.