I’ve been posting to this blog in one form or another for over a half-dozen years now. One side effect of this is that certain articles that made sense when posted years ago end up looking pretty dated today! I found several of those while doing some maintenance on the site today. A couple mentioned my then-current 8MP cropped sensor camera and so forth – gear I haven’t used for years.
With that in mind, I have updated the following posts:
All three are lenses that are core elements of my own kit. (They are also included in the current Canon ‘Instant Rebate” promotion that runs for about another week!)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.
Continuing with the theme of evening light on the Big Sur coastline, I made this photograph along a favorite section of this portion of the California coast not long before sunset. (I left enough time after photographing this scene to drive back up the coast to more or less the small road-cut just visible in the upper right corner of the frame, from which I made another photograph shooting back into a large cove that is out of the range of this photograph to the right.) At this time, perhaps a half hour or so before sunset, the color of the light was warming and intensifying but had not yet reached that obviously red stage that comes right at and right after actual sunset.
The peninsula in the upper part of the photograph is known as Rocky Point and, among other things, is a spot many may know because of a restaurant perched there above these stunning views of the Pacific coast. (I hear it is pricey!) My camera position was at a pull-out along the Pacific Coast Highway at a spot where the road rises to pass around another bit of land that extends to the west, and this high camera position let me aim the camera down to minimize the sky and fill the frame with the ocean, the rocky sea stacks and cliffs, and the “point” itself. With the main variable being the unpredictable patterns in the surf, I made a series of exposures at what I thought might be likely moments and then selected from among them in post. I like the series of diagonal lines in the foreground surf and the way the low sun picks off the tops of the waves.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.
Bixby Bridge is one of the iconic sights along the rugged terrain of California Coast Highway (highway one) in the Big Sur area south of Monterey. Although it is not the only bridge of its type along this route – and, in my opinion, not necessarily the most visually impressive – it is no doubt the best known. Many people drive to this spot and stop to take in the view from high above the ocean and to photograph the bridge and this scenic section of the highway.
I have photographed this bridge before, and I’ve spent a bit of time scoping out alternative points of view. These include some locations visible from “behind” the bridge, up higher in the coastal hills, and from other nearby locations along the highway. While I have photographed the bridge from the backside in the past, the idea of photographing it in black and white from this vantage point was triggered by a photograph by Chris Morrison that I saw in an online photography forum. When I saw it, I almost immediately “saw” a slightly different composition of the bridge and the steep headlands and cliffs running south along the coast.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Rocky Creek Bridge, Sunset - Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.
Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.
This is, for me, essentially the prototypical Big Sur coastline photograph. The Rocky Creek bridge spans, not surprisingly, the canyon holding Rocky Creek, located in a bay not far from the well-known Rocky Point south of Carmel, California along the coast highway. This little scene holds most of the elements that we identify with this area: the old coast highway bridge with its curving support structures, turbulent surf, headlands and bluffs, a small beach, steep cliffs dropping into the ocean, and sea stacks, rocky islands, and natural arches.
I have photographed almost this exact same scene many times, but with the variables of season, weather, light, and surf I keep coming back. I have several black and white photographs of the scene that are among my favorites, but I have been trying to get a color photograph for some time. It turns out to be a bit trickier than it might seem. I wanted sun, but not too much sun. In the wrong light, the colors in the scene can be difficult with a lot of neutral gray, brown and dark greens. In the morning the light comes from behind the bridge, in the midday hours the light (when it isn’t foggy!) can be overly harsh, and in the evening fog and offshore clouds can interrupt the light.
On this visit to the Monterey Peninsula area I had several opportunities to photograph this spot in mostly clear weather and near sunset when the light comes from the right side and takes on the warmer, saturated “golden hour” quality. I shot it on two evenings. On one the light went flat too quickly when the sun dropped behind clouds parked well off shore. The same thing almost happened on this evening and, in fact, shortly after I made this exposure the light went flat. But before that happened I got a few moments of this beautiful, warm, low angle light coming from the sun as it dropped toward the horizon and lit up the bridge and portions of the rocky terrain.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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