Category Archives: Commentary

Accidental Photograph

Imagine that you had been planning a particular shot for a few months. The time was right – or so you thought – so you went to photograph it. Just as you were just finishing you turned around and saw another shot that you hadn’t noticed before. “Wow. I’d like to shoot that one!”

Let’s say that you figured that a focal length of about 100mm would be right for it so you reached into your bag and pulled out a lens to replace the lens that was on the camera. After attaching this lens something seemed odd when you looked through the viewfinder; the subject seemed a lot smaller than you expected. Undismayed you zoom in but can’t get “close” enough. But then you think, “Hey, wait. I kinda’ like the way it looked zoomed out.” So you shoot at the wide end anyway. You finish and put your camera away – and realize that instead of shooting at 100mm you were shooting at 17mm. Wrong lens. And you didn’t even notice. Sheesh.

You get home and go through the photos from the day’s shoot – and this oddball 17mm shot seems to get your attention. In fact, by the time you are done it not only seems like the best shot of the day but perhaps one of the better photographs that you’ve made recently.

By accident. As the result of a dumb mistake.

Would you admit this? Neither would I.

Spring 2008 in Death Valley

Being a college faculty member I’m fortunate to get some time off for spring break around the beginning of April. During the past few years I’ve headed to Death Valley National Park to do a bit of photography during the first week of April, and this year was no exception. The plan this year was to meet my brother at Stovepipe Wells on April 1 – he had already been in the area for about a week – and then spend the next four days hitting some of the many interesting photographic sites in and around the Valley. Continue reading Spring 2008 in Death Valley

Testing Assumptions

As I wander around the net and poke my nose into various photography forums I often read questions about how this, that, or the other thing works. I also read a lot of wild speculation and theorizing about various issues that may (or may not) be relevant to the quality of ones photographs. One thing that strikes me about many of these questions is that the photographer could easily determine the answer for him/herself. Now, I’m not one to discourage people from asking questions – often it is a lot more efficient to just get the answer than to test. But in other cases, there is a certain subjective element to the answer, and one cannot expect to get a single, objective and definitive answer from an online forum. In these cases some simple testing can be the best approach.

A day or two ago I saw (yet another) post asking what is the slowest shutter speed that I can hand hold? We’ve all heard the old rule of thumb: You can hand hold at a shutter speed of one over the focal length, or 1/50 second with a 50mm lens. (As an aside, to the extent that this formula provides some guidance for 35mm or full frame SLRs, it needs to be adjusted upwards by the crop factor for cropped sensor cameras. Just thought you’d want to know… ;-)

The actual answer to the minimum shutter speed question is a bit more complicated. Not everyone is equally steady with the camera. Technique also makes a difference, as do the circumstances of the shot. The subject can make a difference as well: while it is likely that any blur from camera motion will be unacceptable in a landscape, some motion blur in the subject can enhance the effect of, for example, certain sports photographs. The size of the final image is relevant: blur that is invisible in a 600 pixel online jpeg may be unacceptable in a 12″ x 18″ print. And so forth…

So, what to do? Test.

Put a lens on your camera and make a series of test photographs. For this particular test I’d recommend several exposures at each shutter speed – there not a simple binary division between speeds that work and shutter speeds that don’t. Instead, there will be a range at which your success rate becomes too low, and shooting perhaps 3-5 frames at each shutter speed helps reveal this. Repeat at different focal lengths. When you inspect the resulting photographs – keeping in mind how they might actually be used – you’ll learn a ton about how to use the variable of shutter speed in your photography. In fact, your knowledge will go way beyond the simple “rule of thumb.”

To carry on with the main subject, shutter speed is certainly not the only thing you can test. There are a ton of photography myths that seem to live on unchallenged. Some deserve to be challenged, and your own testing is a good way to determine whether they are useful rules or nonsense or something in between. I often hear that statements about aperture and image quality such as the following: “my lens is sharp across the frame wide open,” “f/8 is the sharpest aperture”, “you can’t shoot smaller than f/11 because you’ll get diffraction blur,” or “that lens is no good because it vignettes wide open.” Every one of these statements is subject to simple testing, and in each case the tester could learn something surprising and useful.

Finally, a caution. It is possible to let yourself become more of an obsessive gear nut than a photographer. I’m certainly not recommending that. The point of these exercises is simply to understand your tools better so that you can use them more effectively and creatively… to make photographs.

Death Valley – Spring 2008

One of the benefits of my line of work is that I still get spring break every year. For the third year in a row I headed out to Death Valley on my break. Yes, the blog has been on autopilot for the better part of the past week. :-)

I met up with my brother at Stovepipe Wells last Tuesday – he had already been there for a week. Over the next few days I photographed at a few old favorite spots and a few new ones including the ghost town of Rhyolite, Aguereberry Point, and Wildrose Canyon. I’m hopeful that I’ll have a few initial photographs ready for posting sometime in the next 24 hours or so.