Photographs: Nature, Photographs: Southern California

Spring Growth, Stormy Sky

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Spring Growth, Stormy Sky
New spring grass and flowers on a hillside beneath a stormy sky

Spring Growth, Stormy Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

New spring grass and flowers on a hillside beneath a stormy sky.

This scene somewhat took me by surprise. When I went to the Carrizo I was expecting to experience sunny, dry conditions, and even a bit of warmth. But as I approached I drove through occasional light showers, and soon after I arrived at my campground it began to rain lightly. (This forced a decision – sleep in the back of my 4Runner or set up my tent. The prospect of having to repack a wet tent the next morning forced the decision.) I set up my minimal campsite — which mainly consisted of putting out a few objects to make it clear that the site was occupied — and then I headed out to make late afternoon and evening photographs.

As I headed down the gravel road it was clear that the afternoon weather was going to be “interesting.” At times it was sunny, but then moments later a shower would arrive and drop some rain. As I drove past this flower-covered hill, the sky behind it was covered in very dark clouds, so I stopped to make a photograph emphasizing the contrast. As I set up, beams of sunlight passed over the foreground scene, lighting it up against the darker and more dramatic sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Southern California

Spring Bloom, Temblor Range

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Spring Bloom, Temblor Range
Spring wildflowers carpet the Carrizo Plain and the Temblor Range

Spring Bloom, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers carpet the Carrizo Plain and the Temblor Range.

When I first looked out over this section of the Carrizo Plain and saw the blue coloration along the lowest area I initially thought that I might be seeing one of the shallow, seasonal lakes that forms in this playa-like terrain. The color was almost right, and the purple-blue color had the shape of a large pond. But something looked wrong about it, and when I found a higher and closer vantage point it became obvious that I was looking at a very large and very dense field of Phacelia blooms.

I was probably there just a few days before the peak of wildflower color, and it almost seemed to me that I could see the difference in the extent and intensity of the bloom from one day to the next. Some of the largest displays are in the flat terrain right down on the plain, but higher up in the surrounding mountains there were also brilliant patches of yellow flowers. Some of them are visible in the creases and folds of the Temblor Range on the far side of this valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People In Landscape, Photographs: Southern California

Two Hikers, Titus Canyon

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Two Hikers, Titus Canyon
Two hikers descending the narrows of Titus Canyon

Two Hikers, Titus Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers descending the narrows of Titus Canyon.

Earlier this month I visited Death Valley National Park for a few days. I go there and photograph at least once each year — I’ve been visiting for a couple of decades and photographing the place seriously for about fifteen years. I often point out that there are few places where the effects of water are more obvious than in this unlikely location. Almost all features of the park are formed or sculpted by water, and these effects are very visible in the early bare desert landscape. I arrived only a day after extremely heavy rains, and the evidence was everywhere — flooded sections of roadway, wet and muddy washes, dunes that were still damp, large shallow lakes on playas.

Many park roads were closes, including the long dirt road through Titus Canyon. The road starts high in Amargosa Canyon, crosses the mountains, descends toward the Valley, and near the end passes through a section of very narrow canyon. Normally there is enough traffic there to interrupt the reverie of hikers, but the road was closed to vehicle traffic and we (some members of my family) and I enjoyed a long and quiet hike up the canyon. Here two hikers (my sister and her husband) are descending though one of the deeper and narrower sections of the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Southern California

Spring Wildflowers, Temblor Range

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Spring Wildflowers, Temblor Range
Spring wildflowers in bloom at the base of the Temblor Range

Spring Wildflowers, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers in bloom at the base of the Temblor Range.

Let’s start with the “Temblor Range.” (First a confession: I’ve always thought that the word referring to earthquakes should be “tremblor,” not temblor. Don’t judge me!) The area of the Carrizo Plain National Monument is one of those locations where the monumental nature of the San Andreas earthquake fault, arguably the most consequential bit of geology in the state, lies out in the open where it is easy to see. The Temblor Range runs from northwest to southeast along the edge of the plain, and its base marks the precise location of the fault. Visitors can easily observe some very powerful evidence of fault movement where creeks have been offset to the north over many thousands of years. From what I read, the geological record shows a leap of over 20 feet in the 1800s and a prior movement of well over 40 feet!

Earthquake faults aside, during the spring this can be the site of truly stupendous wildflower displays. The area is normally very dry and very hot. Most summer or early fall visitors would be struck by how empty and arid the place looks — little vegetation, most of it appearing to be dead, evaporated lake beds, and lots of dust. But when the winter rains are exceptional – as there were during the middle and latter parts of this season — there can be an explosion of wildflowers. This year’s display is quite impressive, though it may not quite equal the “super bloom” of a couple of years ago. The wildflowers were my main reason for going this time, so I headed over towards this likely spot late in the day. Clouds blocked the light an hour or so before sunset, but I thought there might be a bit of light at the last minute when the sun dropped below the cloud’s lower edge before setting. It turned out that this happened… and I had all of about two minutes of soft, warm-colored light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.