Tag Archives: concrete

Blue Shirt Pedestrians, Linear Landscape

Blue Shirt Pedestrians, Linear Landscape
Blue Shirt Pedestrians, Linear Landscape

Blue Shirt Pedestrians, Linear Landscape. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Two pedestrians in blue shirts walk past architecture emphasizing vertical and horizontal lines

A photograph like this is a bit hard to explain, but I’ll try. At least a little bit. As is often the case, for some reason this structure – a parking lot – caught my attention. I like the texture of concrete when doing city photography, and this landscape of lines seemed a bit striking, and in fact it got me thinking again about the very linear nature of much of the urban environment. Aside from a few things – the green tree, the red card, and the people – essentially everything in this scene can be regarded as being a sum of horizontals and verticals, from the obvious vertical covering of the garage to the wires, to the street lanes and lane lines, to the sidewalk, and the rows of squares on the background building.

It occurs to me from time to time that there is something very unnatural about this, and it might even be a cause of the disconnect from the environment that can occur in such places. But as (pretty much) always, the constructed world is not perfectly linear. But still, to me, the two people walking along the sidewalk, whose blue attire also caught my attention, look very small and very passive relative to the constructed world they inhabit.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.5

Pedestrian, Steps

Pedestrian, Steps
Pedestrian, Steps

Pedestrian, Steps. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sidewalk steps lead to a lower roadway, where a pedestrian crosses the street

This is another of the photographs done street photography style in Seattle in August, when we had a free day between some other events that took us to that city. On this morning we had started at Pike Place Market, the well-known tourist spot, and then walked south into the more central downtown area and eventually towards the south side of downtown.

I recall that the first time I visited downtown Seattle many years ago I was surprised by the multiple levels in some parts of the city, especially along the waterfront. Across the street from the water, a major highway runs high above on a viaduct. Between the viaduct and the main downtown there is a very short, steep hill (almost a cliff in some spots) leading up to the next level of streets above. (The multiple level effect is seen elsewhere, too, such as near the convention center.) As we walked along one of those upper streets, this steep staircase led to a lower level street and some parking, and a pedestrian continuing on toward the waterfront walks through the light coming down the cross street.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fallen Leaves

Fallen Leaves
Fallen Leaves

Fallen Leaves. Seattle, Washington. August 14, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

Fallen leaves on a grate along a Seattle downtown sidewalk

August 14 was a day off during the Seattle Opera “Ring” cycle – a series of four Wagner operas performed over a six-day period. For those who may not know, attending a full production of the Ring is almost a full-time occupation for the better part of a week. This may sound unbelievable to those who cannot imagine such a thing, but the four operas range from as short as about 2 1/2 hours up to well beyond five hours for the last one, Götterdämmerung – and once you start to “get it” and buy into the whole story, the music, and everything that goes with a production of this thing, well you’ll understand. In any case, on this first of two free days we had during the performances we decided to keep it simple and just head to downtown Seattle to walk around and see what we could photograph.

We took a fairly free-form approach to the shoot, starting near Pike Place Market where we knew we could get some coffee and then photographing people and stuff in and around the Market. We finished there and headed south through downtown, with no particular goal in mind. Eventually we got as far as the Art Wolfe Gallery, where we looked around a bit before heading north again. These street shoots are a lot of fun. I often shoot quickly, using a small camera and almost always just a prime, and I forego the usual tripod and gobs of heavy equipment. Subjects can range from people to buildings to little bits and pieces of urban detritus, and they frequently appear and are gone quickly. Something about this conjunction of lines and textures caught my attention, along with the faintly mossy green tint and the bit of accidental nature in the form of the leaves that had fallen on the metal grate.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows
Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late winter shadows fall across a suburban scene composed of a stucco wall, pipes, and a window

This is the second of two “walking around” photographs made in my neighborhood while wandering around with a camera and a couple of lenses. These walks are exercises in seeing, in several ways: When I carry the camera I pay a lot more attention to things around me that I would otherwise simply not see at all, and the process of looking and seeing photographs in places that are so mundane that I might regularly walk past them helps “tune up” my seeing skills.

As I often do, on this walk I was paying a lot of attention to shadows falling across the walls of buildings. As I write in my last photo post, once I started noticing the shadows, which are everywhere in this area, I began to see the buildings differently. For example, here is a building that I might otherwise have simply thought of as a tan building. But now it is a building with branches “painted” over almost its entire surface. And in this one, the branch shadows converge on the mundane little collection of faucets and wires and what-not at the lower left, then spread and open up to surround the white window frame above and to the right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.