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Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn
Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn

Glacier Point and Ground Fog in Ahwahnee Meadow, Autumn. Yosemite Valley, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Thin morning ground fog floats above the dry autumn grasses of Ahwahnee Meadow below the granite cliffs of Glacier Point, Yosemite Valley.

During the cooler and wetter months of the year, ground fog often forms in the meadows of Yosemite Valley. Ahwahnee Meadow is one of the places I like to photograph these conditions, and since this was the morning after a damp and rainy day, I arrived here very early in anticipation of conditions that might produce the fog. It was very cold when I arrived, certainly below freezing by at least a few degrees. At first the fog was much denser and a bit deeper. I have photographs from this earlier pre-dawn period when a herd of deer passed through the meadow. Eventually, as the sun rose high enough that the light beams began to clear the mountains to the east of the Valley, the first light began to strike the upper slopes and walls of Glacier Point. As this happened and the air began to move and the temperature stopped dropping, the fog began to thin. This photograph was made shortly before the fog actually dissipated completely, and thin streamers of mist are broken up by clearer areas.

I have to admit that I do not know what the foreground plant is. (Hint: I won’t mind even a tiny bit if someone wants to write and tell me! :-) Cottony tufts are found at the top of long stems, growing out of odd shaped pods. I shot this with a very wide angle lens so that I could include some of this foreground foliage and the fill width of Glacier Point.

On a technical note, this image incorporates a blend of two exposures. Portions of the sky at the left side of the frame were very bright, while much of the rest of the scene was in shade and a lot darker. Almost the entire frame is from the 1/15 second exposure, but I have manually blended in a bit of the 1/40 second exposure in the area of cloudy sky at upper left in order to retain a bit of detail there. Also, though it should be obvious, this was shot with an ultra-wide angle lens – a 17mm focal length on a full frame DSLR. If you are at all familiar with this location in the Valley you will recognize that this is a bit of an unusual view.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Fog-Shrouded Trees and Ridges, Yosemite Valley

Fog-Shrouded Trees and Ridges, Yosemite Valley
Fog-Shrouded Trees and Ridges, Yosemite Valley

Fog-Shrouded Trees and Ridges, Yosemite Valley. Yosemite National Park, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

As an autumn storm begins to clear, fog and mist swirls among trees and ridges along the rim of Yosemite Valley.

After a few days of gaudy fall color, I am returning briefly to non-gaudy fall black and white! This is another – and perhaps the last for a while – in the series of misty and cloudy photographs from my visit to Yosemite in late October as a fall storm was passing over the Valley. I was happy when I saw that my planned visit would coincide with a storm, since I love shooting the Valley in the fall in cloudy and wet conditions. As much as I enjoy the beautiful and wam late-summer days, I find the “bad” weather a lot more interesting photographically. The Valley did not disappoint during this visit – I had light rain, clouds ringing the valley, fog both on the Valley floor and among the ridges and trees along the rim, and even some cloud-filtered sunlight.

The subject of this photograph could be any of what seems like an infinite number of scenes of cliffs and ridges and trees along the upper walls of the Valley. The specific spot isn’t important, though it was just to the west of Glacier Point. At times the clouds almost completely obscured the cliff and trees, but as they moved across the face they would periodically clear enough to make bits of the scene momentarily visible. This was another of those situations in which the landscape was emphatically not static – instead it was in a constant state of flux, and it required close and constant attention to catch the photographable moments.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Aspen Color, North Lake

Aspen Color, North Lake
Aspen Color, North Lake

Aspen Color, North Lake. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful autumn aspen colors surround the shores of North Lake with the Sierra Crest beyond.

I should probably hand out sunglasses and an Official Icon Alert warning with this one. Yes, it is that North Lake.

Later on this morning, after shooting elsewhere around the lake in the early hours, and after the workshop shooters had mostly moved on (after all, the good light was gone… ;-), I decided to cross the outlet stream and see about climbing up a hill above that lake that I had been thinking about. I found an easy trail along the side of the lake, but then had to more or less bushwhack my way up the slope to get above the tops of the very red lakeside aspens, which is no easy task when carrying a large photo pack and a good size tripod. (Once up there, I discovered a very easy trail going straight to my position. Sigh.)

Although it was no longer the “golden hour” and the morning was well along, there were scattered clouds. These shadows from these clouds moved rapidly across the landscape, sometimes producing almost uniform shade and sometimes lighting up some features while leaving others less visible. When I see conditions like this I often imagine the perfect positioning of the clouds and the light effects they produce – some primary feature caught in the spot light of a beam of sun, others in sunlight muted by thin clouds, and any spots that happen to be a bit too bright and distracting miraculously muted by a perfectly placed shadow. Yeah, right. But if I watch and wait long enough, something interesting almost always happens, and sometimes the moving clouds do momentarily solve composition and exposure problems. Here, the light on the bright red trees in the foreground is momentarily diminished by a passing cloud shadow and the shoreline trees are in sunlight… and the big cloud at upper left is reflecting on the surface of the water just beyond the foreground trees.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Autumn Sunrise, Piute Crags

Autumn Sunrise, Piute Crags
Autumn Sunrise, Piute Crags

Autumn Sunrise, Piute Crags. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Autumn morning light on Piute Crags, reflected in the shoreline waters of a Sierra Nevada lake.

I made a lot of photographs during the past few months, traveling to the Sierra and a number of other places frequently. I often go through the photographs from the most recent shoot and post images soon after, but when I’m on to the next adventure fairly quickly I don’t always have time to get to everything in one batch before I shoot the next one. Inevitably, some images get “left behind.” Things have slowed down just a bit, and now I’m finding time to go back through some of that earlier work and pull out a few more images that I like. This is one of them.

Folks who photograph in the eastern Sierra will likely recognize this location. The long, rugged ridge of Piute Crags is striking, especially in the morning light, more so in the fall when the aspens change color, and double-especially on such a fall morning when clouds are moving in and out of the scene. I’m not going to say much more about the location beyond telling a little story. As I made this photograph there were perhaps 50 photographers set up more or less tripod-to-tripod a ways away shooting the same general subject from the place where almost everyone shoots. Their location is, indeed, a beautiful spot and I’ve shot there myself. (Heck, I shot there later on this same trip, though at a time of day when the workshops had gone elsewhere.) But there is more than one way to photograph a scene, and with a bit of thought and some wandering around it is usually possible to find a perspective that isn’t quite the same as the familiar one.

(If you know where I stood, please resist the temptation to say too much. This precise spot could not withstand the stress of dozens of photographers. Thanks!)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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