Tag Archives: steep

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Tree, Soberanes Canyon

August 15, 2014 G Dan Mitchell Leave a comment

A lone tree at the base of rugged Soberanes Canyon

The Soberanes Canyon and Creek area of the upper Big Sur coast is, to me, a particularly interesting spot. Here in one place are a number of the characteristic features of this coastline: rocky sea stacks, rigged shoreline backed by coastal bluffs, big surf, beaches, a coastal valley leading steeply up into the mountains, and, of course, fog. It is a popular place, and there are often many cars stopped here. Some people park and head toward the ocean, while others head away and climb up the canyon.

The canyon leading up and away from the coast has intrigued me for a long time, though it wasn’t until relatively recently that I began to explore the area more carefully. One of the first things I realized about this canyon is that it can create some special conditions of light and atmosphere in the morning. Mornings are often a bit tricky on this coast, since if faces west and the sun rises behind tall mountains to the east. However, when the conditions are right, as the sun tops the high ridge the light often comes down into the canyon and backlights the coastal haze, obscuring the details of the canyon and sometimes creating a mystical quality.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocky Shoreline, Fog, Big Sur

July 5, 2014 G Dan Mitchell Leave a comment

Steep cliffs fall to the edge of the Pacific Ocean along the fog-shrouded Big Sur coastline

I left very early on this Fourth of July morning, while the streets were still nearly empty near my home, and headed south towards Monterey and the Big Sur coast. I watch weather forecasts carefully before going there this time of year. The most likely conditions are not my favorites for photography — either socked in with coastal for or else blue-sky clear. I’m looking for something in between in the summer, which ideally means that there is still some fog around but that the sun is poking through along the edges. The forecast today was one of those that is peculiar to California, with fog hugging the coast early but breaking up by midday and the temperatures in the inland areas, which are sometimes only a few miles from the foggy areas, rising into the nineties. Hoping to find that sun/fog boundary, I was willing to chance the holiday traffic, though I figured I might beat the worst of it by going there before “normal people” were awake, and then by returning at about the time the crowds would show up.

I hit fog in the Salinas Valley, which meant that the fog on the coast was likely to be a bit more obstinate about leaving than I had hoped. In fact, there was a low deck of fog perhaps only a few hundred feet above the ocean, with misty atmosphere below. This is not easy light to photograph, at least not for me, but I found a few places like this one where I could get a clear view of nearby subjects and include more distant subjects disappearing into the fog. I walked out on the bluff to find this spot, set up, and noticed that the fog was in motion, so I decided to wait, eventually spending perhaps 20 minutes waiting and watching for moments like this when the fog thinned just enough to barely reveal the further rocks and coast.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Mountains, Sea, and Haze

May 28, 2014 G Dan Mitchell Leave a comment

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Marin Headlands, Winter Evening

January 24, 2014 G Dan Mitchell Leave a comment

Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands

How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)

We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.

G Dan Mitchell Photography

Tag Archives: steep

Tree, Soberanes Canyon

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Rocky Shoreline, Fog, Big Sur

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Mountains, Sea, and Haze

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Marin Headlands, Winter Evening

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.