Tag Archives: windows

Photographs: Architecture, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Buildings, Porto

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Buildings, Porto
Distressed buildings in Porto, Portugal.

Buildings, Porto. © Copyright 2023 G Dan Mitchell.

Distressed buildings in Porto, Portugal.

Based on our three-day visit, Porto is a fascinating city. I’m no expert on Portugal, but it is my understanding that the country was one of the least wealthy in Europe and that it was sort of neglected — but more recently it has become quite a popular destination. The attractions are many: fascinating food, sunny shoreline, port (!), general friendliness to English-speakers. We spent time here in Porto and then in Lisbon, and they have so far been among our favorite destinations on this trip.

While Porto has plenty of modern, sophisticated stuff… it is also still full of old, run-down-looking neighborhoods with buildings suggesting better days in the past. (And, from what I hear, now there is a lot of redevelopment of these older areas, which brings its own controversies.) The building in this photograph must have once been quite nice, but today it looks like its best days are behind it — yet, look at that characteristic tile work and more and this building seems like it could be part of the Porto revitalization.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Urban/Street

Mural, Parking Lot

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Mural, Parking Lot
A large mural featuring two faces, above a Manhattan parking lot.

Mural, Parking Lot. © Copyright 2022 G Dan Mitchell.

A large mural featuring two faces, above a Manhattan parking lot.

One of the things I like to do while making street photograph is look for odd, unusual juxtapositions. There are plenty of these in virtually any big city environment, since these places usually bring together a wide variety of people, activities, structures, and more. Street art and murals add another image element to the mix. There are some oddly disparate elements here: the two large figures, cars on lifts, and a couple of people at the lower left.

The mural on this building’s wall features two figures overlooking the street in a somewhat ominous manner. I don’t know the identity of the one on the right but the one on the left appears to be from Kubrick’s “A Clockwork Orange” — which injects an interesting flavor into this street scene. There are other elements here that I find fascinating. I’ll leave most of them to viewers to discover, but that double vertical “dashed line” of windows is intriguing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Too Many Layers

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Too Many Layers
Multiple layers of reflections produce a complex whole.

Too Many Layers. © Copyright 2022 G Dan Mitchell.

Multiple layers of reflections produce a complex whole.

The urban landscape can be quite complex and even deceptive. I think that we imagine it to be the most rational of landscapes, where everything is objectively “real” and describable. But when you begin to look more closely, if frequently isn’t quite what it seems to be. The surfaces of things are often elusive, and you may find yourself looking more at the reflections of other things than at the object you think you are viewing.

It is somewhat difficult to make sense of this image at all once you start looking closely. There are, obviously, things from the street — parts of automobiles, a bit of a crosswalk. But nothing in this scene is viewed directly — everything is a reflect, or a reflection of a reflection, or a reflection viewed through another reflection.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

San Francisco Tree

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San Francisco Tree
A few new leaves sprout from a nearly-bare tree on an San Francisco street.

San Francisco Tree. © Copyright 2022 G Dan Mitchell.

A few new leaves sprout from a nearly-bare tree on an San Francisco street.

After the recent string of wilderness photographs I’m going to change things up and move — at least briefly — to some urban photography. The first few in this series will come from San Francisco… a different sort of wilderness at times!

These trees are found all over San Francisco, squeezed onto sidewalks between multi-story buildings and the busy streets. In most cases the lower limbs are bare, revealing the trees’ interesting, twisted shapes — shapes that contrast with the more regular and geometrical forms of the city’s architecture.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.