Category Archives: Ideas

The “Best” Camera?

Recently I’ve seen an upswing in the number of “which camera is best” posts in some of the online forums I follow – perhaps due to a minor Gear Lust epidemic after announcements of new cameras by Nikon and Canon and others?

I posted a reply to one question about whether it would be better to purchase a Canon 40D or 5D and my response got some supportive responses – so I’m posting it here:

The 5D can produce better image quality than the 40D (unless some miracle is revealed when the camera is available for actual testing) because it has a) greater MP dimensions, b) larger photosites.

That said, the question remains whether the “betterness” is a) noticable, b) significant, c) worth the cost.

(Selecting one camera over another because it is “better” is kind of like buying one car instead of another because it is faster. Let’s say one can go 120 mph and the other can go 125 mph. I suppose that 125 mph is “better” than 120 mph, but what if you never drive faster than 70 mph…)

A crop sensor 10 MP DSLR can produce outstanding image quality. With good technique (oh yeah, and inspiration…) you can get photographs that will reproduce at quite large print sizes. (I sold 16 x 24 inch prints of photos made on a 350D.) If you aren’t going to print this large or if you will mostly distribute electronically, frankly there is little to be gained from FF. (And, yes, I’m a full frame camera user: 5D plus L lenses.) You’d probably see more difference in your photography by taking the money you saved by getting the 40D and investing in good lenses, tripod, filters, etc.

By the way, it also remains to be seen how much difference the extra two bits makes in actual images.

So, yes, the 5D is “better” than the 40D (OK, not if you need a fast burst rate…) on the basis of image quality. However, the 40D – or even the excellent 400D – could be a “better camera” for a particular user.

My point is not so much about the specific comparison between the Canon 5D and the newly-announced 40D. It is more about what it means to look for the “best” camera.

I believe that “best” is a very subjective concept here. The important question is not “which camera is best?” but, rather, “which camera is best for [the kind of photography I do]?” The answer would be quite different for each of the following:

  • Professional photographer doing studio portrait/product photography.
  • Photojournalist shooting professional sports.
  • Landscape photographer shooting while hiking/backpacking. (Hmmm… that sounds familiar, somehow… ;-)
  • Serious photographer shooting wildlife with long lenses.
  • Serious, experienced amateur shooting a variety of subjects and making letter-size prints.
  • Casual amateur shooting family events for electronic sharing and small prints.
  • Beginner with no previous SLR photography experience, unsure of where/how interest will lead.

I’m not going to make specific recommendations, with one exception. If you are new to this DSLR stuff, please don’t listen to those people telling you to immediately invest thousands in pro-level lenses and bodies… that are appropriate for their photography. Start small; a Canon 400D/XTi with the kit lens (or the equivalent from Nikon, Sony, Pentax, et al) is a far more appropriate place to begin. Take a lot of photographs; explore and learn – before long you will begin to understand what your best camera might actually be.

George Barr on Doubt

George Barr (Behind The Lens) posted an interesting perspective on the ways that doubt can hold us back:

Doubt Doubt creeps into photography everywhere, from thinking that you won’t find anything today, to pessimism over the weather, to thoughts about the quality and volume of your photographs, to how you think others will perceive our work. Doubt can literally keep us home when we should be out shooting, or giving up, just before the sun finally breaks through and highlights the subject… – George Barr [Behind The Lens]

Follow the title link to read the whole thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell. 

Jim Goldstein on Flickr Tools

Jim Goldstein writes about some useful Flickr extensions and tools:

Flickr Tools of the Trade

So you use Flickr… what else is out there that is going to enable you to get the most out of it?

Thanks to Flickr’s API a lot of people have come up with some very interesting tools. As I’ve learned there are a lot of things to discover from GreaseMonkey scripts to external sites that enhance the Flickr experience. Below (in no particular order) are my favorite external sites that enable me to more quickly review the photos of others and monitor my photos…

[JMG-Galleries]

Follow his title link to read the full post.

I’ve been posting some photographs at Flickr for the past couple of months. In fact, for awhile I was hosting the photos for this site on Flickr – in other words, the images that you saw displayed here were coming from the Flickr site. (Some still are, but more recent images are hosted on the same server than handles this blog.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.