There’s a lot to see and do in Dublin, Ireland. Some cities seem rather sedate, but at least in the central area of Dublin where we spent time this past May, the streets and sidewalks were full of people — the place felt very alive. While a few day’s visit does not make me an expert — far from it — this city felt like it had a bit of an “edge,” which I think of as a good thing. All of this made it a fine place to do some photography in the streets.
Continue reading Man on Steps, Dublin
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
Continue reading Tufa, Dawn
You might never guess by looking at this photograph, but I made this on a beautiful day with blue sky and dramatic clouds, in an area along a trail in the Cotswolds that was very green. I was surrounded by gentle hills, green wheat fields, and many spring-green trees. But there was this one dead snag, devoid of leaves, standing starkly against that sky.
Continue reading Snag and Sky
Photographing in the morning and evening twilight can be a bit of a crapshoot. The light can be soft yet intensely colorful… or it can simply fade away to gray. Familiarity with the patterns of clouds and light can improve the odds, but you still have to head out there and take advantage of whatever happens. That was my plan on this late-August evening when thin clouds stretched across the sky, presenting the possibility of colorful light.
Continue reading Tuolumne River, Dusk