The northwest Scotland landscape is spectacular in so many ways — the highlands mountains of course, but also the coast, and the lower elevation valleys and rivers. It is relatively “empty,” in the sense that you are often out of sight of signs of civilization, aside from the single-track road you might be driving. But empty as it is, it is not wilderness, and there are plenty of little hamlets and isolated homes and lodgings.
Continue reading Rural Stone Buildings at Loch Stack
Point Lobos and I go back a long ways. Shortly after my parents moved to the San Francisco Bay Area — I was four years old then — they began to take us on interesting day trips. A favorite was going to Monterey, which was a much smaller and quieter place then. A highlight of those visits was traveling a few miles south to Point Lobos, where we explored tide pools, walked the trails, and watched sea lions. This was one of the first places where I began to make photographs, likely with a simple Brownie camera and some black and white film.
Continue reading Monterey Cypress Trees, Cliffs and Surf
I made this photograph the English town of Shrewsbury. (More about that place below.) If a photograph is “about” something, this one is about more than one thing. To be sure, it is a record of a specific spot in a particular town, a doorway to a building with a sign for “Alfred Mansell & Co. Auctioneers.”It is perhaps a record of some history, too, given the old brick walls, the weathered doorway, and the cobblestones at the bottom of the frame. But most of all, I think it is about color, the “temperature” contrast between the warm tones of partially-sunlit bricks and the very cool blues of the doorway in shadow.
Continue reading Blue Door
I think of this photograph, in part, as a study in tones. I had been photographing a brilliant sunrise in color, but as the first wild sunrise colors diminished I began to think about monochrome. (Of course, my camera being digital, I was capturing color images, though monochrome results were in my mind.) The brightest areas of the clouds were extremely bright, while the facing side of the tufa formations, being backlit, were very close to black. My plan was to control the bright areas in the exposure and then lift the shadows in post, just enough to hint at details on the tufa.
Continue reading Tufa, Sky, and Water