Near the end of October last year, while returning from a fall color visit to the Western Sierra Nevada, I decided to make a stop at a Central Valley location where I have photographed migratory birds in the past. I wasn’t expecting to find the winter birds that I usually see there, but I was surprised to find large numbers of other birds that usually diminish at this spot later in the season. Among them were large groups of great egrets.
Continue reading Egret and Chick, Evening
I took me a while to figure out this location in Utah, along the edge of Boulder Mountain. Years ago we drove through here in the spring, and I was astonished by the huge aspen groves. I resolved to return in the autumn, and a few years later we did —timing our visit to synchronize with peak of California’s Eastern Sierra aspen color. It turns out that the color change earlier in Utah, and by the time we arrived the groves were past their peak.
Continue reading Boulder Mountain Aspens, Evening
This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills
Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.
The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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