“Tufa, Dawn” — Mono Lake tufa formations under cloudy sunrise sky.
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
. “Lake, Towers, Distant Mountains” — Mono Lake tufa towers silhouetted against distant desert mountains in morning light.
I arrived here well before sunrise, thinking that clouds overhead and clear sky on the eastern horizon might produce a colorful sunrise. It did! So I made monochrome photographs! OK, I do have some color photographs of the early morning color, too, but I really did come back with as many monochrome photographs as color photos. Maybe MONO Lake calls for MONOchrome images?
“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“First Light — Tufa, Clouds, Mountains” — The first dawn light on Mono Lake tufa towers, with desert mountains and morning ing clouds in the distance.
The landscape of Mono Lake and Mono Basin seems reduced to essentials: rocks, mountains, water, sky, light. And all of this is in a place of uncommon quiet and immense space — it is difficult to truly comprehend the scale of the basin. These qualities seem especially strong if you come down from the peaks and intimate landscapes of the nearby Sierra Nevada.
I was out there early on this July morning — having literally “come down” from those peaks near the Sierra crest in predawn darkness. Rather than getting close to the famous tufa formations, my goal was to photograph the lake and its surroundings from a distance, using long lenses to bring together some of the close features and distant elements of the landscape.
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