“Tufa, Sky, and Water” — An island of tufa formations under early morning sky, Mono Lake.
I think of this photograph, in part, as a study in tones. I had been photographing a brilliant sunrise in color, but as the first wild sunrise colors diminished I began to think about monochrome. (Of course, my camera being digital, I was capturing color images, though monochrome results were in my mind.) The brightest areas of the clouds were extremely bright, while the facing side of the tufa formations, being backlit, were very close to black. My plan was to control the bright areas in the exposure and then lift the shadows in post, just enough to hint at details on the tufa.
“Dawn, Mono Lake” — Mono Lake tufas under a colorful pre-sunrise sky.
In the right conditions, a Mono Lake sunrise can be spectacular. To some extent it is up to the clouds. Clouds produce the most colorful sunrises, of course, but if they are too thick or in the wrong place they can also “turn out the lights.” The ideal, I think, is for it to be clear on the eastern horizon, with scattered clouds closer to the lake. Almost anything goes in the west — some clouds there to catch the light can be good, but clear skies and the earth shadow or even dark and dramatic clouds can work.
“Lake, Tufa, and Morning Clouds” — Mono Lake tufa towers silhouetted against morning sky and distant mountains.
With this post, I am doing something unusual for me — I’m sharing monochrome and color versions of the same photograph. By that I mean literally the same file, though interpreted differently. (The monochrome version was posted here recently.) Usually I settle on either color or monochrome, but in this case I feel like both have something (different) to offer.
“Tufa, Dawn” — Mono Lake tufa formations under cloudy sunrise sky.
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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