“Tufa, Dawn” — Mono Lake tufa formations under cloudy sunrise sky.
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
. “Lake, Towers, Distant Mountains” — Mono Lake tufa towers silhouetted against distant desert mountains in morning light.
I arrived here well before sunrise, thinking that clouds overhead and clear sky on the eastern horizon might produce a colorful sunrise. It did! So I made monochrome photographs! OK, I do have some color photographs of the early morning color, too, but I really did come back with as many monochrome photographs as color photos. Maybe MONO Lake calls for MONOchrome images?
“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“Sandstone Towers” — Red rock sandstone towers, Arches National Park.
Remembering the October day when I made this photograph, I recall that there were some thunderstorms around the area and that we had mixed light. These were those wonderful conditions where it might rain one moment and the next there might be brilliant sunshine, always with the possibility of a dramatic sky. It appears that I made this exposure during one of those sunny breaks. (Looking at other original exposures in the sequence, not all of them had this light.)
