This page contains links to articles and posts I’ve written about photographic subjects including the equipment that I use (or, in some cases, have used or studied extensively) — including my tests, reviews, and subjective opinions related to DSLR and other camera bodies, lenses, tripods, bags, and other gear. Note that some of the review are now quite dated – but I have left them online since the posts still contain useful general information. (Note: I have added an “Articles by Others” section at the bottom of the page that lists articles by other authors.)
G Dan Mitchell’s Annual Favorite Photographs Lists
It has become something of an internet tradition to assemble a collection of annual favorite photographs right around New Year’s Day each year. Take a look at some of what I’ve selected over the years.
2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 (in progress)
ABOUT PHOTOGRAPHY
A series of articles looking more closely at photographs and their aesthetic, technical, and location backstories.
The “A Photograph Exposed” Series
- A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs” (2010)
- A Photograph Exposed: A Tale of Light (2011)
- A Photograph Exposed: Photography and Luck (2012)
- A Photograph Exposed: “San Francisco Skyline — Winter Fog and Haze” (2015)
- A Photograph Exposed: “Two Rocks, Morning, Racetrack Playa” (2015)
- A Photograph Exposed: “Two Islands, Fog” (2015)
- A Photograph Exposed: “Shoreline Reflections, Trees and Rocks” (2015)
- A Photograph Exposed: One Subject, Two Compositions (2015)
- A Photograph Exposed: Technique and Interpretation in Post (2015)
- A Photograph Exposed: “Je Suis Bleu” (2022)
Photographic Myths and Platitudes Series
A series of articles taking a critical look at some common assumptions about making photographs.
- Photographic Myths and Platitudes — Diffraction Limited Aperture
- Photographic Myths and Platitudes — ‘Landscape Photography Lenses’ (Part I)
- Photographic Myths and Platitudes — ‘Landscape Photography Lenses’ (Part II)
- Photographic Myths and Platitudes — ‘Photographer’ versus “Photoshopper’
- Photographic Myths and Platitudes — Primes Make You a Better Photographer
- Photographic Myths and Platitudes — New DSLR? Why You Do NOT Need a 50mm Prime
- Photographic Myths and Platitudes — No Post-Processing!
- Photographic Myths and Platitudes — That Noise is Awful!
- Photographic Myths and Platitudes — The Very Best Camera! (Part 1)
“Improving Your Odds” Series
A series focused on increasing your chances of producing compelling photographs.
About Making Photographs
- A Photograph Exposed: Photography and Luck
- How I Title My Photographs and Why
- Photographs and Reality: A Complicated Relationship
- When Inspiration Takes a Vacation
Ethics
- Petroglyphs Stolen: An Ethical Lesson For Photographers
- Disclosing Photo Locations: How Much Information is Too Much?”
- Gray Areas
- Art, Photography, and “Manipulation”
Reader Questions
- About Backcountry Photographer Gear
- Visiting Yosemite In Summer
- Sony A7rII versus Fujifilm X-Pro2
- 5Ds/5DsR Print Quality
- Landscape Photography Settings
- Concerned About Image Theft
- How to Add Borders to Online Photographs
- One Lens for Landscape and Wildflowers on Hikes
- Yosemite in October?
- DSLR Sensor Cleaning
- About Sharpness and Detail
- Camera Stability and Long Lenses
- Photographing in the Rain
- Landscape Lenses
- About Depth of Field
Post-Processing and Printing
- What You See Is Not What You Get
- Sharpening Basics: A Primer
- How I Sharpen — A Quick Overview
- Post-Processing: A Shadow Recovery Example
- Borders and Watermarks
- Controlling Highlights (A Napkin Drawing)
Technique
- Hints for Night Photography
- Fifteen Ideas for Photographing Professional Bicycle Races
- About Tripods
Photography Online
Tongue in Cheek
General Photography Equipment Topics
- Thoughts about Camera Upgrades in 2024
- Format Size Comparison Data
- Mini Medium Format… Or Not?
- Comparing 33x44mm “miniMF” And 24x36mm Full Frame Sensors
- Fujifilm GFX and Canon 5DsR
- Fujifilm GFX and Canon 5DsR Part II
- Travel Photography Lenses
- Why Your 21MP File “Looks Softer” Than Your 12MP File at 100%
- Concerning Megapixels
- Beginner Question: What Lenses Should I Get For My New Camera?
- About Vignetting
- Asking the Wrong Question – Part 1
- My Approach to DSLR Sensor Cleaning
- My Backpacking Photography Equipment
- When Sharpness Becomes an Unhealthy Obsession
- DSLR & Mirrorless: Flexibility and Adaptability
- A Few Thoughts On EVF Versus OVF Cameras
Places
General
- TBA
Coastal California
- TBA
Death Valley
- TBA
Sierra Nevada
Yosemite
Sierra Nevada Fall Color
- Main Sierra Nevada Fall Color Page — with links to my book: Fall Color: A Photographer’s Guide to Autumn in the Sierra
- 2017 Sierra Nevada Fall Color Preview
- Autumn Color is Right Around the Corner (Fall 2015)
- Sierra Nevada Fall Color Season – Coming Sooner Than You Think
- Photographing the Eastern Sierra Aspens: A Few More Thoughts
- Searching for Aspen Color in the Eastern Sierra – the Show Starts Soon!
- Sierra Nevada Aspen Hunting and the Weather
Utah
- TBA
EQUIPMENT
These days I’m using two systems for my photography. Most of my landscape and nature photography is done using a Canon full-frame DSLR system with a range of (mostly) Canon lenses. I use a Fujifilm mirrorless system for travel and and street photography. For recent and similar photography I might use either system… or both! Below are links to articles I’ve written based on the use of this equipment.
Canon Cameras
Canon 5DS and 5DS R
In early 2015 Canon announced the development and scheduled release of two new DSLR cameras in the 5D series, the 5DS and the 5DS R models. Both provide approximately 50 megapixels (MP) of sensor resolution. The cameras seem to be an excellent next evolutionary step for Canon photographers who can use the additional resolution.
(You may use the links in the paragraph to order/reserve either the 5DS or the 5DS R from site-sponsor B&H photo. I have reserved mine — I’m going with the “R” model.)
- Canon 5DsR/5Ds: My Experience
- Reader Question: 5Ds/5DsR Print Quality
- The Canon EOS 5Ds R — Autofocus Torture Test
- The Canon EOS 5Ds R — Dynamic Range Examples
- The Canon EOS 5Ds R — A Resolution Example
- Canon 5DS R: A Printing Test
- Looking at Canon 5Ds RAW Files: Noise and Dynamic Range.
- Canon EOS 5Ds and 5Ds R Release Near?
- Canon 5Ds and 5Ds R Pre-orders Available
Canon EOS 5D II
- Canon EOS 5DII: Early Observations on Image Quality
- Canon EOS 5D
- EOS 5D II at B&H
- Post-Processing: A Shadow Recovery Example
Canon EOS 5D
I used the original Canon 5D full frame DSLR as my primary body for about four years, and then used it for nearly another five years as my second/backup camera body. The 5D was nearly revolutionary at the time of its introduction, providing the benefits of full frame to those who need it at a much lower price point than previously. The image quality was and is excellent from this camera. It remains as good today as it was when it was introduced, though more recent cameras have added important and useful features and updated functional characteristics. You can read an updated post about this camera here at the blog.
Canon SL2
The Canon SL2 DSLR (B & H Photo) is a very interesting little camera. It is Canon’s smallest full-function DSLR, and it uses a high resolution 24MP cropped format sensor. It is a very small and light option for photographers who prefer an optical viewfinder and DSLR design in a small camera and especially for photographers who already have Canon lenses and other auxiliary equipment.
Canon XT/350D Digital Rebel
Canon Lenses
All lenses listed here are lenses that I either do use or have used extensively, so my descriptions are based on firsthand experience.
Canon EFS 17-85mm f/4-5.6 IS
Canon EF 24mm f/1.4 L II
- Review of this lens in pending
Canon EF 35mm f/2
Canon EF 50mm f/1.4
Canon EF 85mm f/1.8
- Review of this lens is pending.
Canon EF 135mm f/2 L
- Review of this lens is pending.
Canon 16-35mm f/4 L IS
Canon EF 17-40mm f/4 L
- Canon EF 17-40mm f/4 Lens
- Canon 17-40mm f/4 L Sharpness: Two Examples
- Corner Sharpness of the Canon 17-40m f/4 Lens on Full Frame
- Canon EF 17-40mm f/4 L: Testing a Claim About Sharpness and Focal Length
- Canon EF 17-40mm f/4 L at B&H
Canon EF 24-70mm f/2.8L II
Canon EF 24-105 f/4 IS L
- In Praise of the Canon EF 24-105mm f/4 IS L lens
- Canon EF 24-105mm f4 IS L Lens
- Canon 24-105mm f/4 IS Lens Sharpness: An Example
- Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS
- Canon EF 24-105mm f/4 L at B&H
Canon EF 70-200mm f/2.8 L IS II
- Review of this lens is pending.
Canon EF 70-200mm f/4 L
Canon EF 100-400mm f/4.5-5.6L IS II (NEW version — Introduced December 2014)
- The Canon EOS 5Ds R — A Resolution Example (using the EF 100-400mm f/4.5-f/5.6L IS II)
- Canon EF 100-400mm f/4.5-5.6L IS II Lens — A First Look (published 12/23/14)
Canon EF 100-400mm f/4.5-5.6 IS L (old version)
- New Lens: Canon EF 100-400mm f/4.5-5.6 IS L
- Thoughts About Long Zooms and Primes and ‘Image Quality’
- Thoughts About the Canon 100-400mm f/4.5-5.6 L IS Lens
General Lens Topics
- A Test: Correcting Lens Distortion in Post-Processing
- A Test: Correcting Perspective in Post Processing
- Full Frame Lens Test
- Sharpness and Aperture Selection on Full-Frame DSLRs
- Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS
- Photographic Myths and Platitudes – ‘Landscape Photography Lenses’ (Part 1)
- ‘My Photos Are Soft!’
- Myth: Diffraction and Motion Blur Worsen With More Megapixels
- Some Thoughts on Aperture and DOF and Related Issues
FUJIFILM CAMERAS AND LENSES
Overview
In early 2013 I decided to acquire a Fujifilm X-E1 and a few lenses so that I could travel a bit lighter during an overseas trip. I had heard good things about this gear, felt it was probably “good enough” for how I intended to use it, and found the small size of the cameras and lenses to be very attractive. (I prefer to travel light, checking no baggage if possible.) I was very pleasantly surprised by the quality of this gear, and especially by the image quality of the lenses.
More recently I moved to the 24MP Fujifilm X-Pro2 camera, a hybrid EVF/OVF 24mp system that is smaller and lighter than my Canon system, quite light, and which produces excellent image quality.
See my regularly updated page about Fujifilm gear here:
- Fujifilm XPro Camera System
- A Small Test: Fujifilm X-Pro2 Mirrorless Camera and Active Subjects
- Fujifilm Announces XT2 Mirrorless Digital Camera
- Why Fujifilm Mirrorless?
- TakingStock of the Fujifilm Mirrorless Cameras
- Sony A7rII versus Fujifilm X-Pro2
- Moving On: Fujifilm XPro2 to XT5
An extensive of Fujfilm X-series gear follows. (I have not used all of the equipment in this list, and equipment I use is indicated with an “*”.)
Cameras/bundles
-
Mirrorless Digital Cameras
Accessories
- Fujifilm M Mount Adapter for X-Pro1 and X-E1
- Fujifilm HG-XE1 Hand Grip for X-E1 Digital Camera
- Fujifilm XT-2 Vertical Power Booster Grip — B&H | Adorama
- Fujifilm EF-X500 Electronic Flash — B&H | Adorama
Prime Lenses
- XF14mmF2.8 RXF* — B&H | Adorama
- XF16mmF1.4 R WR — B&H | Adorama
- XF18mmF2 R — B&H | Adorama
- XF23mmF1.4 R* — B&H | Adorama
- XF27mmF2.8 — B&H | Adorama
- XF35mmF1.4 R* — B&H | Adorama
- XF35mmF2 R WR* — B&H | Adorama
- XF56mmF1.2 R — B&H | Adorama
- XF56mmF1.2 R APD — B&H | Adorama
- XF60mmF2.4 R Macro* — B&H | Adorama
- XF 80mm f/2.8 R LM OIS WR Macro — B&H | Adorama (*)
- XF90mmF2 R LM WR — B&H | Adorama
Zoom Lenses
- XF10-24mmF4 R OIS — B&H | Adorama
- XF16-55mmF2.8 R LM WR* — B&H | Adorama
- XF18-55mmF2.8-4 R LM OIS — B&H | Adorama
- XF18-135mmF3.5-5.6 R LM OIS WR — B&H | Adorama
- XF50-140mmF2.8 R LM OIS WR* — B&H | Adorama
- XF55-200mmF3.5-4.8 R LM OIS — B&H | Adorama
- XF100-400mmF4.5-5.6 R LM OIS WR — B&H | Adorama
- XC16-50mmF3.5-5.6 OIS II — B&H | Adorama
- XC50-230mmF4.5-6.7 OIS II — B&H | Adorama
Teleconverters (compatible with 50-150mm and 100-400mm lenses only )
OTHER GEAR
Printers
I have used and currently use a range of inkjet printers. Here I mention one model I have used for a decade (as of 2019) and others that we own and/or think are worthy.
- Epson 7900 — I first acquired this printer in about 2009 in order to print an order of nearly 170 large prints for a commercial account (a national park lodge). It served me well for a long time, though it eventually developed clogs that could not be cleared — as generally eventually happens to the professional Epson printers. (The cost of replacing the print head is about the same or more than the cost of a new printer!)
- Epson P800 — We also have a newer generation P800 printer. This is an excellent printer that produces very high quality prints on widths up to 17″. It is a (large!) desktop printer, so it is easier to find a place for it than is the case with the larger printers listed above and below.
- Epson P7000 — The P7000 is a 24″ wide printer, like my 7900. (There is a less-expensive but otherwise similar P6000 model that uses fewer ink colors.) The P-series printers replace the older “900” series models, such as my 7900. They have an improved ink set that expands the color range and produces better (and darker) black tones on mat paper.
- Epson P9000 — The P9000 is a 44″ wide printer, like the older 9900. (There is a less-expensive but otherwise similar P8000 model that uses fewer ink colors.) The P-series printers replace the older “900” series models, such as my 7900 and the 9900 and 11900. They have an improved ink set that expands the color range and produces better (and darker) black tones on mat paper.
Though I do not use them, I hear very good things about the current Canon printers, too. Their print quality is excellent — I’ve made close comparisons of prints made on Epson and Canon. They anticipate clogged ink jets by providing far more than are necessary and also supporting user-replacement of the printhead unit. This supposedly lowers maintenance costs — though some users point out that you’ll likely have to replace the head more frequently than on Epson, potentially equalizing things in the end.
Tripods and Heads
- Induro C313 Carbon Fiber Tripod — discontinued, but CT314 is a close equivalent (Induro CT314 Tripod at B&H)
- Gitzo 2542L “Mountaineer” Carbon Fiber Tripod
- The Gitzo GT2543L Mountaineer Series 2 Carbon Fiber Tripod (B&H) replaces my 2542L. The “L” version is about 5″ taller than the non-L regular version.
- The “regular” version is the Gitzo GT2542 Mountaineer Series 2 Carbon Fiber Tripod (B&H).
- Acratech Ultimate Ballhead — my favorite backpacking ball head, it combines solidity with light weight. Its unusual design is excellent for situations where you want to point the camera almost straight down, for example in some wildflower photography. (available at B&H)
- Really Right Stuff BH-55 Ballhead With Full Size Lever-Release Clamp (B&H) — my favorite big, solid, general use ball head. (Many people prefer the slightly smaller Really Right Stuff BH-40 Ball Head With Full Size Lever-Release Clamp (B&H).)
Bags and Backpacks
Lowepro
- Lowepro Inverse 200 AW
- Lowepro Slingshot 200 AW
- A Question About the Lowepro Slingshot 200 AW
- Lowepro Nova 200 AW
- Lowepro Rover Plus AW
- Lowepro Toploader AW
ThinkTank
- Airport Acceleration – (Purchase directly from Think Tank Photo)
Crumpler
- Six Million Dollar Home
- Eight Million Dollar Home
Other Equipment
Filters
- Lens Protection: Ultraviolet (UV) Filter or Lens Cap and Hood?
- Very Basic Filter Advice for New DSLR Shooters
Electronic Flash
- Canon 580EXII (Canon Speedlite 580EX I at B&H)
Articles by Others
- Art Dealers From Hell and How to Spot Them
- Art Dealers From Hell, Part II
- Can the Zone System Go Digital — Alan Ross
- The Use of Optical Brighteners in Fine Art Prints and Photographs — Ardenburg Imaging & Archiving
- Optical Brighteners in Inkjet Paper — Includes an extensive listing of papers that do and do not use OBAs. (Optical brightening agents)
My Gear List at B&H Photo Video — This website has an affiliate relationship with B&H. Your purchases through these links help support the site and you get the same prices you would get by purchasing directly. Thanks!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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