I have admitted to a fascination with graphical elements — shapes, textures, colors, curves, and more. Finding them in the urban or natural landscape can make fairly mundane subjects interesting, at least to me. Here we see a small section of the corrugated metal wall of a very green industrial building. A couple of loops of chain hang from a gap between panels, for reasons that seem inscrutable.
Continue reading Green Chain
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
Continue reading Tufa, Stormy Sky
If my memory is correct (no guarantees!) we were out for a walk in Bath — probably looking for something to eat — when I saw these remarkable weathered doors across the street. Their purpose remained a mystery to me — the doors were closed and there were no signs. It is hard to say if they are even still in use. But the distressed surfaces of the wooden doors got my attention, along with the odd set of colors — pink, virtually blood red, and black.
Continue reading Old Doors, Bath
I have long been a sucker for backlight. I’m attracted to the glow of light coming straight at me, and I’m intrigued by the dark shadowed sides of objects and by the beams of light that lead toward the camera. Put a forest full of trees in front of me in that light and I cannot resist.
Continue reading Evening Forest and Hill