“Cotswold Trail, Clouds” — Clouds build above a trail through agricultural land in the Cotswolds.
For a hiker like me, with a lifetime of wilderness hiking and backpacking behind him, a “Cotswolds walk” is a new and different experience. I am used to single-person-width trails, usually rocky, and sometimes ascending to quite high elevations. On multi-day trips I have carried everything on my back. But here the trails are gentle, often passing between and through fields and pastures. And you carry only a few supplies for the day’s walk — you simply stop at a grocery or a pub in a small town at lunch time and buy something to eat.
Rain clouds begin toi build above coastal forest hills near Ferndale, California.
On the last full day of our early-June foray into redwood country in far Northern California, we did a longish loop drive out to the Lost Coast via an uncrowded route on narrow and winding roads. It took us from a small town in farm country over forested ridges, eventually dropping to the coast, where if following the coastline south for some miles before turning inland, passing through rural country (and the location of California’s, uh, “newest agricultural area) and emerging through redwood groves near US 101.
This was our first time traversing this route, so there were new things to discover all day and at almost every turn. The beginning of the route leaves typical flat farmland and rises into high coastal hills, where it alternately twists through forest, follows high ridges, and drops into deep valleys. We stopped along one of those ridges in a place where meadows opened the view. The photograph looks to the northwest and the barely visible Pacific Ocean, as clouds began to build toward a few light afternoon showers.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A sand storm builds above Death Valley and the Amargosa Mountains.
Remarkable weather conditions frequently arise in the desert landscape, including those unfamiliar with these places might not expect, along with others that are perfectly obvious. In the “obvious” category are things like intense heat and strong winds that can produce dust and sand storms. The nearly opaque lower atmosphere in this photograph is due to precisely that — extreme winds were lifting sand and dust from the playa and dunes and sending them northeastward over the Amargosa Mountains. However, above the blowing sand are rain clouds that were dropping light showers around the area late in the day.
These are not easy conditions in which to make photographs, but the visual rewards often make it worth the attempt. I made this photograph from the just outside the limits of the blowing dust and sand clouds, though even here there was dust in the air and the wind was so strong that it was virtually impossible to complete stabilize my camera. After photographing here we continued on into the dust and wind, first going up into those distant mountains and finally heading down to the dunes that were the source of the cloud. There the conditions were both impressive and miserable as the day ended.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Dawn light and shadow patterns on sand dunes, Death Valley.
Other recent photographic posts here have mentioned the astonishing transition of desert light between the pre-dawn twilight and the post-dawn light of daytime, and especially the rapid changes that occur right around sunrise itself. I made this photograph during the first moments after the direct sun had made its way onto the dunes after rising above a mountain range far to the east. At this point the light is still warm, but significantly less so that during that first instant of direct light, and the shadows still are deeply blue from the color of early morning sky.
The small stand of foreground creosote is emblematic of one of the astonishing things about sand dunes, namely that there is so much living stuff in a place that first appears to be completely inhospitable to life. It is a challenging environment, and plants are few and far between, but they do manage to survive. In the springtime the permanent plants such as the creosote bushes are briefly embellished by the appearance of seasonal flowers, at least during years with sufficient rain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
