Tag Archives: fields

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Birds in Motion

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Birds in Motion
Long-exposure motion blur photograph of geese in flight over winter fields.

Birds in Motion. © Copyright 2023 G Dan Mitchell.

Long-exposure motion blur photograph of geese in flight over winter fields.

This is another long-exposure, late-day bird photograph, in which I lower the ISO and use longer exposures in order to allow motion blur. A flock of (mostly) snow geese was turning into a strong crosswind and the brighter western sky — so the light was interesting and the birds were moving a bit slower that usual. The latter is a distinct advantage when trying to track the birds during longer exposures.

This way of shooting is fun and challenging. The idea is to end up with an image that has some kind of compositional integrity and which suggests the wild motion of the flock. A shutter speed up to about a second can work, and this variable will, of course, control how much blur there is. One challenge is that I can only estimate what the composition will look like since I’m shooting handheld and tracking the birds. Including a bit of the landscape in this photograph helps “ground” the blur of the flock.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Wildflowers and Fog

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Wildflowers and Fog
California spring wildflowers recede into tule fog.

Wildflowers and Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

California spring wildflowers recede into tule fog.

This photograph continues with the theme of last year’s California spring season and my travels to photograph it. (Travel? Remember that?) This location among the range of hills between the coastal areas and the Great Central Valley is full of grasslands, oak-covered hills, though it becomes increasingly dry as you travel further south and east. That particular spot seems almost desert-like during much of the year. But during a short period in late-winter and early-spring, especially in a wet year, it springs to life. Hills are covered in green and there is a climax of extensive and beautiful wildflowers.

Here the wildflowers stretch for miles across the lowlands of a giant valley that runs alongside the San Andreas earthquake fault. A typical photograph of this location might show that expanse and the hills in the distance. But on this morning tule fog arrived and reduced the size of the visible world down to a radius of a few hundred feet — albeit a spectacularly colorful radius!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Winter Fields

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Winter Fields
A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

Winter Fields. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California

Bird, Flooded Fields

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Bird, Flooded Fields
Bird, Flooded Fields

Bird, Flooded Fields. Central Valley, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

A bird wades in a flooded Central Valley winter field in front of a receding line of power poles and some farm buildings on a levee.

This is (yet another!) photograph of the flooded fields along a country road near the Cosumnes River in California’s Central Valley. I was shooting almost directly into the sun through remaining fog and haze near the middle of a winter day. The building sits on a levee between the fields and the bird was kind enough to pose for me while I made the photograph.

Given one of the subjects subject that I’ve been discussing at the blog during the past few days, it seems reasonable to point out that this image involved significant work during the post-processing phase – what we used to refer to as “the darkroom,” but which we now refer to as “photoshop.” I used a variety of techniques to push this image towards what I had in mind – a very high key interpretation that I hope evokes the sensation of looking into a backlit hazy atmosphere that is so bright that you can barely look at it. (In fact, it was very much like this when I made the photograph – as you can see it required a 1/1000 second exposure at f/8 and ISO 100. That’s bright!) In general I brought the overall brightness up to nearly pure white in the lightest portions of the image, and I employed some other techniques to lower the amount of contrast in the sky yet keep the building, the poles, and the levee fairly dark. Although all of this was accomplished in the “digital darkroom,” all of the processes are equivalent to those that might have been applied by photographers working in the traditional darkroom.

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