“Cotswold Trail, Clouds” — Clouds build above a trail through agricultural land in the Cotswolds.
For a hiker like me, with a lifetime of wilderness hiking and backpacking behind him, a “Cotswolds walk” is a new and different experience. I am used to single-person-width trails, usually rocky, and sometimes ascending to quite high elevations. On multi-day trips I have carried everything on my back. But here the trails are gentle, often passing between and through fields and pastures. And you carry only a few supplies for the day’s walk — you simply stop at a grocery or a pub in a small town at lunch time and buy something to eat.
“Wheat Field and Building Clouds” — Thunderheads rise above a Cotswolds wheat field.
If you are following along, it may start to be difficult to follow the itinerary of our late-spring trip to the British Isles. We started in Scotland, spent time in Ireland, then headed to England for about three weeks. The first week in England was spent on a walk between villages in the Cotswolds. We had heard about people doing that, and it sounded fun — and we were able to meet up with relatives who live in Europe.
“Subalpine Meadow, Lake, and Peaks” — Alpine peaks stand beyond a subalpine meadow and lake, John Muir Wilderness.
This monumental string of peaks running west from the Sierra Nevada crest was our companion during a two-week late-summer base-camp here a few years ago. A group of nine photographers packed in and set up basecamp for a week. This gave us plenty of time to extensively explore and photograph the surrounding area. It is rare — and quite special — to get to focus so thoroughly on one small area of the wilderness like this.
Our camp was down in forest near a small lake, perhaps a ten or fifteen minute walk from the location of the photograph. A short walk up through the forest brought us to the edge of the alpine world at the timberline, where streams meander through open meadows, the views are uninterrupted by large trees, and it is possible to simply walk wherever you want to go — no need for trails.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Long-exposure motion blur photograph of geese in flight over winter fields.
This is another long-exposure, late-day bird photograph, in which I lower the ISO and use longer exposures in order to allow motion blur. A flock of (mostly) snow geese was turning into a strong crosswind and the brighter western sky — so the light was interesting and the birds were moving a bit slower that usual. The latter is a distinct advantage when trying to track the birds during longer exposures.
This way of shooting is fun and challenging. The idea is to end up with an image that has some kind of compositional integrity and which suggests the wild motion of the flock. A shutter speed up to about a second can work, and this variable will, of course, control how much blur there is. One challenge is that I can only estimate what the composition will look like since I’m shooting handheld and tracking the birds. Including a bit of the landscape in this photograph helps “ground” the blur of the flock.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
