“One Departs, One Remains” — A juvenile osprey leaves the nest while its sibling remains.
This is a bit of a serendipitous photograph. I had been photographing landscape subjects since before dawn, but the early light had now dissipated. I figured I was done for the morning, so I shouldered my gear and started ambling in a direction that would take me back to my vehicle. Along the way I saw a little side path marked “dead end” that led toward the water, so I thought I’d take a look. A few feet later I was through some brush and on a rocky beach. A woman was there photographing, and she pointed out two juvenile ospreys at a nest atop a rocky formation just offshore.
“About to Land” — Two geese landing at a Central Valley wetland pond.
On this sunny February day, we stopped briefly at a wetland area in California’s Central Valley, breaking up the long drive home from Death Valley National Park. We had actually departed the park one day earlier, stopping overnight and then continuing the next morning. Shortening the drive this way made it easier to get here before sunset. We found geese in a pond, and paused to make some photos before continuing on home.
“Ross’s Geese in Flight” — Ross’s geese descend toward a wetland pond.
On our return trip from Death Valley in late February we took a short detour in California’s Central Valley to look for migratory geese. Their winter visit to the state is soon coming to an end, so I wanted to see them again this season. It was a quick stop, but we found our geese, and I made this photograph of a small flock of Ross’s geese descending toward a wetland pond.
when I first started photographing birds a couple of decades ago I had little idea what I was doing, but I did know that I wanted to photograph “snow geese.” (Ross’s geese aren’t snow geese, but they are very similar.) The photograph illustrates how much pictures of flocks of birds rely on luck. Note the two geese at lower right, positioned so that one does not obscure the view of the other’s head. Look at the positions of the two more distant geese behind the bird at lower left. And then note the the other four birds are also all positioned so that their heads are visible. You would almost think that they posed for me…
“Two Cranes, Morning Sky” — Two lesser sandhill cranes in flight against a morning sky.
If you follow my photographs, it is possible that you recall another photograph of these two cranes in morning sky a few weeks ago. Sometimes I use burst mode to photograph birds as they fly past. One advantage is that you have a better chance of getting that perfect moment when things happen quickly. However, a disadvantage is that you end up with a lot of photographs to review! When this pair flew over, out of perhaps a dozen frames there were two that I liked.
The photograph, and its near-twin, are slightly unusual for me. For one thing, I tend to include some landscape or foliage with the birds. But here it is just birds and sky, albeit with some lovely, fluffy clouds. The angle and color of the light were just about ideal. It was coming at a low angle from my right, where the sun was just over the horizon. As a result the warm, early light shone upwards onto the undersides of the birds.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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