This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
Continue reading Big Sur Coast Near Hurricane Point
The massive layers of red sandstone in the American Southwest are impressive. But seeing that plants manage to live on these formations is equally so. The variety of ways they eke out a living is surprising — at the bottom of huge holes in the rock, in tiny cracks, along ledges. Here a small tree adds a contrasting bit of green to the sandstone cliff.
Of course, this is not something that is unique to The Southwest. As a long time Sierra Nevada visitor I still marvel at mature trees that seem to grow almost straight out of rock, sometimes in very exposed positions high in the mountains. It seems to take little to provide enough sustenance — a crack that collects some other plant debris and a little water will do it. Before long, little plant and animal communities spring up beneath these trees.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I intentionally framed this view to exclude everything except the rocky coastline and the wild Pacific Ocean surf. The Pacific Coast Highway (US1) runs along the coastal bluffs just above those far formations, but below these bluffs the ocean and the land do constant battle, with the ocean inevitably winning as it erodes and washes away the land.
When I look at sea stacks like these I am reminded that the water’s edge was once further west, and what are now off-shore outcroppings were once part of the mainland. These peninsulas and sea stacks were left standing far out in the water as the land around them disappeared.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.
I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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