“Shoreline Rocks, Offshore Islands” — Two small islands in faint sunshine, shoreline rocks, Big Sur Coast.
It was a quiet moment at the Pacific Ocean shoreline on the upper Big Sur coast. It would not last, of course, as the area is overrun by visitors during the warmer months. I go very early in the morning to beat the crowds, and I had a couple of good hours before the Monterey and Carmel tourists finished breakfast and drove down the coast. (If you want to see the Big Sur coast in relative solitude, try a winter weekday morning.)
“Little Sur River and Beach” — The Little Sur River meets the Pacific Ocean on the Big Sur Coast.
I confess to having photographed this scene quite a few times. I live close enough to Big Sur that I can drive down for a morning of photography and be home for a late lunch. This spot, where the Little Sur River flows across Little Sur Beach and into the Pacific Ocean, has always intrigued me. I stop and at least take a look almost every time I am down there.
“Big Sur Coast Near Hurricane Point” — Late spring morning on the Big Sur Coast.
This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
“Wetland Island and Fog” — Tule fog mutes the wetland landscape beyond reed-covered islands.
Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.
I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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