“Monterey Cypress Forest, Leaning Trees” — Monterey Cypress trees at the edge of a Point Lobos cliff on a foggy morning.
These trees grow along one of the most exposed coastal locations at Point Lobos State Reserve. Not far behind my camera position s the rugged end of a peninsula that juts out into the Pacific, exposed to waves and wind. In the other direction, beyond these trees, is a cliff that drops to a rocky, narrow bay that where surf constantly washes in and out.
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.
The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.
I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.
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Morning fog begins to clear over rocky islands along the Pacific coast.
One of my habits is, when possible, to head for the Pacific Coast sound of Monterey early in the morning, especially on days when I think that there will be coastal fog and it will likely clear at some point during the morning. The thickest fog can be dramatic, but it can also kill the light — but when it starts to clear and the light begins to come into the scene, the effects can be glorious. The fog may glow, colors on the water and hills can be enhanced, and views of the sky above the fog begin to emerge.
On this late-March morning I decided to make a stop at Point Lobos, where a big, early-spring surf was making things interesting. From a great distance I photographed this scene with a long lens as big breakers swept over the edges of the rocky islands and as the fog began to thin and reveal blue sky above.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A vining poison oak plant grows on the bark of a coastal tree, Point Lobos
Californians learn about poison oak at an early age. I recall that in elementary school occasionally a fellow student would come to school suffering from an awful rash from this plant. From my earliest hikes in the California hills (but not the Sierra Nevada, to the relief of many!) I learned that the plant is everywhere and, like all hikers here, I learned to quickly identify it. It is known to most by the reddish-brown colors of the leaves, but the “leaves in threes” pattern is a more certain feature since it is also dangerous during its completely green phase.
Despite the danger, the plant can be quite beautiful — though I find it difficult to photograph. The red to brown tones of the plant is summer are striking, and it can actually appear quite lush during its winter growth period. I found this growth on the side of the tree at Point Lobos last winter, and was fortunate to be able to photograph it in partial shade and on a day when the sun’s intensity was muted a bit by haze and fog.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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