“Shoreline Trees, Clearing Fog” — Fog clears above a grove of coastal trees at Point Lobos.
the best light usually comes early and late in the day. It often has a warmer coloration, and it can be softer than the midday light coming from high overhead. And there’s a good chance that morning fog and mists may linger. But eventually, on most days, the “good light” period passes and the morning’s work is done. It was that time as I began to make my way back to the trailhead, feeling that the morning’s best light was leaving. But then I saw this row of dense trees along the rocky edge above the water, with a hint of clearing fog in the background.
“Coastal Redwood Forest” — A young coastal redwood forest, Pheiffer Big Sur State Park.
Photographing California’s coastal redwood forests can be a (fun) challenge. There is often an overwhelming amount of “stuff” in the scene — trunks, branches, undergrowth, all growing densely. Part of the challenge is finding a workable composition among all of the details. Light can also be tricky. On sunny days light beams fill the scene and pose nearly unsolvable dynamic range issues — shadows go completely black and highlights threaten to blow out. I made this photograph on a cloudy morning when the overcast was thinning a bit, producing some very soft light.
The location is Pfeiffer Big Sur State Park. Oddly, as a lifelong Californian who has passed by here often, I have barely explored this park. In fact, I can recall only one previous brief visit. Perhaps this is because I’m typically in the area to photograph coastal subjects rather than forests, and perhaps also because there are other redwood parks closer to where I live. This little scene is a obscure one near the main campgrounds and a nature trail.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Forest, Morning Fog” — Soft sunlight appears as morning fog begins to clear above a forested hillside, Santa Cruz Mountains.
One of my favorite kinds of light is found at “the edge of the light” —places that are neither in full sun nor fully shaded. Often I search out these spots, especially when fog is involved. The effect can range from subtle to quite striking when there are strong contrasts between deep shadow and light. Here there is an additional factor — not only are the foreground trees in a bit of that gentle light coming through the fog, but the more distant trees almost disappear into the thicker clouds.
We often hear something along the lines of, “photography is all about the light.” That’s not quite literally true in every case, but there’s no question that interesting light can turn an otherwise-mundane subject into something special. To be honest, this scene would not likely catch your attention at all in typical full sunlight nor in thicker fog — it is that glow on the foreground trees that makes it work.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Lichen-Covered Tree, Fog” — A lichen-covered tree near at the edge of the coastal morning fog lne.
Unless you have been living through our West Coast heat wave, you might not quite be able to imagine the glorious sense of relief to be standing in this spot on a recent morning. Anticipating another 100+ degree day, I got up early and drove over the mountains to the coast south of San Francisco, hoping for fog. I found it, along with temperatures as low as 55 degrees!
It was almost too foggy right on the coast, believe it or not, so I drove inland a bit to find that wonderful zone at the edge of the fog bank where the fog thins and soft light suffuses the landscape. I doubt that much of anyone would take much notice of this lichen-covered tree on a sunny day, much less stop to photograph it — but on this morning it represented everything that was lovely about this cool, foggy morning.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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