You would probably never guess by looking at this photograph, but it was made in a location where there were a lot of other people nearby. It looks like a lonely, fog-filled forest scene, but I made the photograph while walking along a paved path to the entrance of the Pena Palace. The Palace is a remarkable structure that sits on top of a ridge above the town of Sintra, Portugal, not far from Lisbon.
Continue reading Fog and Forest, Pena Palace
The Pena Palace sits on the summit of a ridge above the town of Sintra, a short train ride from Lisbon. From a distance the place seems unreal, given its location, its architecture, and its striking color scheme. Up close the weathering changes the effect a bit, but in a way that only seems to make the place a bit more mysterious.
Continue reading Windows and Yellow Wall, Pena Palace
This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
Continue reading Big Sur Coast Near Hurricane Point
Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.
I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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