It was a quiet moment at the Pacific Ocean shoreline on the upper Big Sur coast. It would not last, of course, as the area is overrun by visitors during the warmer months. I go very early in the morning to beat the crowds, and I had a couple of good hours before the Monterey and Carmel tourists finished breakfast and drove down the coast. (If you want to see the Big Sur coast in relative solitude, try a winter weekday morning.)
Continue reading Shoreline Rocks, Offshore Islands
I live in a place (San Francisco Bay Area of California) that isn’t exactly a desert, but it also is not particularly wet. Virtually all of our rainfall comes during a mostly-winter rainy season that lasts just a few months, and the rest of the years is generally dry. In fact, by this time of the year many of our hills and valleys have dried to a “California golden”color. So Scotland was quite a contrast for us! It rained at least a little on virtually every day we were there, and water — in rivers, streams, lochs, and the ocean — is everywhere.
Continue reading A Highlands Cascade
As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.
Continue reading Stick in the Mud
When spring (or late winter, actually) arrives in Death Valley National Park after a wet season, a striking show of wildflower can appear. It seems incongruous in this arid landscape, and it can be spectacular. Uncountable colorful wildflowers cover normally-dry gravel slopes. A closer look reveals even more plants underfoot, where tiny sprouts suddenly appear in many areas in the park.
This photograph focuses on that subject, and a close look reveals more and more little things in the frame — various sorts of new plants, bits of old vegetation, and more. And all of this appears against one of the subjects most irresistible to photographers, dry cracked desert mud.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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