Photographs of fall color
A few years ago three of us explored a long section of narrow canyon in Utah, looking for photographs in this rich landscape. We started in a broad valley where a stream flowed between low hills, but soon the walls rose and steepened and the valley narrowed, and we found ourselves following a creek. The canyon was alternately wide and then narrow and constricted.
Continue reading Autumn Trees, Canyon Wall
Although it has been more than a decade since I made this photograph (yes, another “lost and found” photo), I have distinct memories of the circumstances surrounding it. That fall I spent a few weeks exploring the Southern Utah landscape, from the backcountry of Grand Staircase-Escalante to several national parks. Sometimes I photographed alone, but along the way I met up with various friends, relatives, and photographers.
A photographer friend and I camped for several days at Capitol Reef National Park. We explored areas near the campground. (Yes, we tried the pie…) But one day we took a longer trip into the park’s backcountry. At the end of the day we returned to the campground, and just before we arrived we stopped to photograph these autumn trees against a red rock wall.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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From what I’ve seen, the fall color season in Utah can be lengthy. On my visits I’ve seen the tail-end of aspen color at the beginning of October, implying that it peaks in late September. Out in red rock country the cottonwoods and oaks and other trees transition a bit later. And although I’ve never timed it quite right, I hear that great color is to be found in Zion Canyon in early November.
We stopped to photograph these trees in Capitol Reef National Park on our drive back to camp from a day of photographing in a remote region of the park. It was late afternoon and the light was not going to last a lot longer, so we pulled over a short distance from our campground and worked with these trees growing right in front of a sandstone cliff.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
I have photographed in Yosemite since I was literally a child. (The first “serious ” photograph I recall making was on a family trip to the Valley when I scrambled up a little hill to find a composition of a dome framed by tree branches.) The Valley remains one of the most astonishing sights on the planet, with features that are darned near unbelievable. But after decades of photographing there, when I visit now I look for other things than the icons.
Admittedly these black oaks have become almost iconic, though they aren’t a recognizable feature in the way that Half Dome or Yosemite Falls are. There’s no one particular feature, but rather a playground of textures and colors and lines to work with. I stop and photograph here on almost every visit.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.