“Almost Bare” — A tightly-packed grove of almost-bare aspen trees.
This photograph combines two types of subjects that fascinate and challenge me — post-color aspens and finding compositions in complexity. While the intense colors of peak-autumn aspen leaves are undeniably appealing, I also like the stage right after that when most of the leaves are gone and the skeletal white trunks are fully revealed. I also enjoy the challenge of trying to figure out how to photograph extremely complex and detailed subjects like this dense grove of small trees.
“G Dan Mitchell’s 2025 (Almost) Favorite Photographs” — 16 photographs that almost made it into G Dan Mitchell’s 2025 Favorite Photographs.
Each winter I go review the year’s work and select a set of “annual favorites.”I enjoy reviewing all of my photographs each year, but it is difficult to winnow them down to a manageable 12 to 16 images. As I created my 2025 Favorite Photographs I had to make hard decisions near the end of the process, and inevitably some photographs I liked were left out.
So this year I’m trying something new: I have assembled this set of 2025 (Almost) Favorite Photographs, selected from those I like that did not quite make the cut for my the 2025 Favorite Photographs.
Why didn’t they make it? I photograph a variety of subjects — from landscapes to travel to street photography. Since I want to include multiple genres I must eliminate photographs of one type to make room for others. Sometimes the issue is that I have a lot of photographs of certain subjects. For example, this year I had many photographs of trees and desert landscapes, and I couldn’t include them all.
With this in mind, here’s a set of 2025 (Almost) Favorite Photographs that didn’t quite make it into the final set. Continue reading to view them individually below and then in a gallery at the end of the article, where you can click on an image to view the set as a slideshow.)
The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.
When photographing wildlife, virtually any time of day can present special, even miraculous events — but if forced to pick my favorite time of the day out in bird photography country, it might well be evening. The choice would be difficult, for sure, but some of the most memorable sights and sounds I’ve experienced while photographing autumn and winter birds have occurred late in the day: the evening fly-out of flocks of geese, the rising moon, the return of cranes, and more.
I made this photograph very late on a December day, at time time we might describe as very late afternoon or perhaps early evening. (Yes, technically the moon was not quite full.) It had been foggy for much of the day, but the sky had cleared and was now uniformly blue. It was the time when things are mostly slowing down and evening’s quiet is coming. And then the sky filled with birds for a few moments…
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees
Strange things have happened with the aspen color change this year. While some things seem to be on a fairly normal schedule — for example, there are still a lot of eastern Sierra aspen trees that are completely green — I have seen two common difference. First, the color started to change a bit earlier, and I found good color perhaps a week earlier than I might in a more typical, non-drought year. Second, it is clear that some groves of trees seem to have simply dropped their leaves, with little or no color appearing first. (Don’t worry too much. While there are certainly examples of this occurrence, the majority of the trees do not seem to be affected by this.)
Far up an eastern Sierra canyon where I photograph aspens every year I know of places where a variety of aspen types can usually be found. I visited one where it is not uncommon for a dense carpet of brilliant color from a grove of densely packed trees covers a particular mountainside. However, this year the groves was almost completely bare of leaves when I visited in late September. At first I was disappointed, but I soon recalled how much I like groves that are mostly white trunks and branches, with only a few colorful leaves remaining — and I made a few photographs. The idea here was not so much to construct a clear and obvious composition, but instead to capture a sort of wall of aspen trunks and branches, with that wonderful bit of color still holding on.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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