“Almost Bare” — A tightly-packed grove of almost-bare aspen trees.
This photograph combines two types of subjects that fascinate and challenge me — post-color aspens and finding compositions in complexity. While the intense colors of peak-autumn aspen leaves are undeniably appealing, I also like the stage right after that when most of the leaves are gone and the skeletal white trunks are fully revealed. I also enjoy the challenge of trying to figure out how to photograph extremely complex and detailed subjects like this dense grove of small trees.
“First Light on Bare Aspens” — Morning light strikes the tops of nearly leafless aspen trees.
I came to this ridge overlooking Mono Basin and the Eastern Sierra well before sunrise. My intention was to photograph some extensive aspen groves along with other landscape subjects as the morning light arrived. It turned out that I was too late in the season for these aspens — I should have remembered that their drop leaves early — so I worked those other subjects as sunrise began to light up the terrain.
A thick forest of small autumn aspen trees near a ridge on the edge of Mono Basin.
I first encountered this aspen forest perhaps a decade ago while poking around in places other than the usual aspen locations. After a few visits I started to figure out the rhythms of the place and when the colors peak — which is not typically at quite the same time as in much of the Sierra. I’ve wanted to photograph the carpet of aspen trees here, but conditions were never quite right… until this morning of peak color with clouds softening the light and sky.
Many of these trees are small compared to the idealized tall, straight aspens that many have seen. But there are few places in California where as may grow so densely in uninterrupted groves. This must be a very old grove, as there are bare, dead snags mixed in among the living trees. Also unusual: the trees ascend to virtually the summit of this ridge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A grove of dense and colorful autumn aspen trees, to the east of the Sierra Nevada.
This dense grove of autumn aspen trees, perhaps just past the peak of their seasonal color, provided an opportunity that isn’t easy to find in these groves — a slightly elevated position looking down into and across an aspen forest that stretched away up a nearby hillside. I was actually here to photograph something else, a distant landscape. But once I finished that task I moved on and spent some time with these trees.
Unlike many of the trees in my aspen photographs, these are not technically in the Sierra Nevada. Instead they are in a smaller range located east of the Sierra. The range may be smaller, but it is still high, with peaks over 11,000′. Being in the rain shadow of the Sierra, these mountains are rather dry, but there’s enough moisture to sustain very large stands of aspen trees.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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