The late-day light on autumn aspens is a fleeting thing, especially here along the east slope of the Sierra Nevada where peaks tower to the west. Over the years I have become familiar with the rhythms of this particular spot. I know that the best light happens during the half hour (or less) before the sun drops behind those peaks. So I arrive a bit early, pack a long lens, and prepare for a half hour or so of intense photography.
Continue reading Aspens and Distant Mountains
If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.
When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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A friend and I met up in Capitol Reef National Park some years ago, and we spent a few days photographing in and around the park. We began accessible spots not far from our camp, but later we made a long drive down gravel roads to the east of the Capitol Reef ridge. I made this photograph shortly after a colorful sunrise on these summits.
That sunrise photograph, which I’ve shared previously, was focused on the area behind my camera position for this photograph. The sky colors are wonderful, but I also like the darker and somewhat more foreboding quality of this sky that has lost the dawn colors.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
After an absence from the Sierra during some 2023 international travel, I was anxious to get back up there again. Shortly after our return I headed to the mountains for a few days of high country camping and photography. By then it was late in the season and the first hints of cold-season weather fronts were arriving — there was “interesting weather” during much of my visit.
I made this photograph as I headed up a drainage in the Eastern Sierra along the western edge of Yosemite National Park. (The distant peaks mark the park’s boundary.) Clouds shrouded the peaks, and some light snow had fallen. The wind was blowing and cloud shadows moved rapidly across the landscape. I set up and waited, and made this photograph as light hit the meadows just in front of me and illuminated the distant ridge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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