“First Light on Bare Aspens” — Morning light strikes the tops of nearly leafless aspen trees.
I came to this ridge overlooking Mono Basin and the Eastern Sierra well before sunrise. My intention was to photograph some extensive aspen groves along with other landscape subjects as the morning light arrived. It turned out that I was too late in the season for these aspens — I should have remembered that their drop leaves early — so I worked those other subjects as sunrise began to light up the terrain.
“Subalpine Meadow, Evening Light” — A ridge rises above a subalpine meadow and forest, Yosemite.
This is another “quiet” photograph — no brilliant colors, not really an iconic location. It simply captures, I hope, something of the feeling of being in the High Sierra as the day winds down, the light warms as sunset approaches, and begin to stretch across the landscape. It is a beautiful time of day — everything slows down, it gets quieter as people go to camp for dinner.
“Evening Forest and Hill” — Early evening light streams between forest trees on a Sierra Nevada hill.
I have long been a sucker for backlight. I’m attracted to the glow of light coming straight at me, and I’m intrigued by the dark shadowed sides of objects and by the beams of light that lead toward the camera. Put a forest full of trees in front of me in that light and I cannot resist.
“Soft Light, Ellery Lake” — Ellery Lake in early morning soft light.
This spot and this view have long intrigued me. The lines and curves lead from the shoreline forest at left, past that talus-covered slope on the right, across the water to another peninsula, and finally to the massive face rising beyond. The personality of this view can change remarkably — I’ve photographed during storms, under the full moon, in direct sunlight.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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