“Two Highlands Peaks” — Soft light on green hills and two distant highlands peaks.
We came upon this scene while driving north from Ullapool, Scotland and then taking a diversion out toward the coast. (We were intrigued by signs promising that we would find blueberry scones, and we just keep going until we… ran out of Scotland at the coast! Sadly, we never found the scones.) We were traveling along some lowland valleys, and at the top of one short incline we looked back and saw this view. Initially the entire scene was shaded by clouds, but since it looked like sunny spots were moving across the landscape we waited until some of that light landed on the foreground.
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.
Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.
This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.
“Pacific Coast Highway, Headlands” — The Pacific Coast Highway traverses steep headlands above the Pacific Ocean on a hazy winter morning, Big Sur coast.
This landscape that reminds me that change is the rule. It invites all sorts of questions. How long ago were those sea stacks part of the mainland? How long until the cliff-edge trail I’m slips into the ocean? Where will the next route-closing landslide occur? The dynamism of the landscape is clearly present here.
This time I visited for a few hours on a late-winter morning. The skies were mostly clear along the coast, as is common here between storms, but there was scattered fog and everywhere there was mist, from both the clearing fog and from ocean spray. Early in the morning the sun is blocked by coastal mountains, but as it rises its light angles down among these headlands.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A hazy summer sunset over the Arno River, Florence, Italy.
How about a quick return to Italy for today’s photograph? Perhaps on a warm summer evening, joining hundreds of others ascending the hills to the Piazzale Michelangelo to join the public party and watch the sun set over Florence and the Arno River. That’s what we did during our five days in Florence this summer. Despite our initial skepticism about heading to a touristy spot and seeing the crowd heading the same direction, this was one of the highlights of our visit.
This was not an easy subject to photograph. By the time we got there the most obvious camera positions were taken, besides which we really wanted to wander around a bit and take in the festivities… and purchase something from one of the several food and drink carts. The light was not initially promising, with haze obscuring the view. But as happens so often in such conditions, the haze began to glow as the evening went on, and the moments before and during sunset were filled with luminous light… and the music of nearby buskers.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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