Category Archives: Photographs: Urban/Street

Beco do Garcês

Beco do Garcês
“Beco do Garcês” — A meeting of steep, narrow lanes in Alfama, Lisbon.

My recollection is that we came to this little wide spot among narrow Alfama lanes by following an interesting-looking stairway that led off to the side from a busier way. Our general plan was to climb up through Alfama to a viewpoint, and then to traverse over to the St. George Castle. But we were not in a hurry, and when we saw the side-route we decided to investigate.

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Sandstone Terrain and Mountains

Sandstone Terrain and Mountains
“Sandstone Terrain and Mountains” — Morning haze and backlight obscures distant mountains and sandstone terrain, Arches National Park.

Arches National Park is red rock country, a landscape dominated by the colors of Southwest sandstone. Almost all of my photographs of the area are in color, for that obvious reason. It is not just the rocks themselves — the complementary greens of vegetation and the blue of the sky feature strongly, too. But this particular view, a veritable moonscape, seems to call for a monochrome interpretation.

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Largo do Peneireiro

Largo do Peneireiro
“Largo do Peneireiro” — Colorful streamers above narrow streets in the Alfama District, Lisbon.

This is a little street scene in Lisbon’s Alfama neighborhood. The area rises from the river’s edge toward the hill of the St. George Castle. This was the original center of Lisbon before it expanded, and it later was the home of less wealthy citizens of the city. Its age (it escaped destruction in the 18th-century earthquake that destroyed much of Lisbon ) means that the area retains the original narrow and twisting streets.

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Bench, Wall With Fado Tiles

Bench, Wall With Fado Tiles
“Bench, Wall With Fado Tiles” — A bench on a slanted sidewalk and a wall with Fado tiles, Lisbon.

I love little off-kilter scenes like this one. In the center are two tile illustrations of the fado music tradition of Portugal. (The tiles were seen in an earlier post on this website.) They are aligned to perfect verticals and horizontals. But everything else tilts — the bench on the cobbled sidewalk, the pipe that frames the image, the wiring attached to the walls. A door at the left, barely intruding into the frame, is the only other thing that lines up.

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