On trips like our recent one to the British Isles, I operate in at least two distinctly different photographic modes: landscape photographer (s my recent Scotland work) and street photographer. During our visit to Dublin I was almost exclusively in the latter mode. Dublin is a rich location for street photography. There are crowds of people, and the city has a vibrant, alive feeling. There are also lots of fascinating old and sometimes nicely weathered building.
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When we travel we like to combine the new with the familiar. That was true on our recent trip — the Scotland portion was an extension of the familiar, and Ireland was new to us. That’s right, this was our first visit to the Republic of Ireland. We know there is much, much more to Ireland than we could see in a week, but on this trip we focused on three cities: Dublin, Galway, and Cork. This photograph comes from Cork.
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I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.
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Our recent travels to the British Isles began (aside from a very brief stopover in London) with a lengthy visit to Skye and the northwest of Scotland. After that first adventure we returned to Inverness and took a train to Aberdeen for a few days. After more than a week in the wild open spaces of northwest Scotland, returning to this urban setting was quite a contrast!
Continue reading Netherkirkgate