Tag Archives: cement

Ivy Roots

Ivy Roots
“Ivy Roots” — Intertwined ivy roots draping across a concrete retaining wall.

I have walked past this place scores of times — it is along one of my regular walks. I walk almost daily, often along one of a group of familiar routes. It had been weeks since I last did this one, so it was time again to visit it. As I walked along a creek and past some commercial buildings I “saw” something that I have certainly seen before, but not really noticed — a great wall of ivy roots stretched across concrete.

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Concrete Wall Detail

Concrete Wall Detail
Shadows from nearby branches fall across a crached and weathered concrete wall.

Concrete Wall Detail. © Copyright 2023 G Dan Mitchell.

Shadows from nearby branches fall across a crached and weathered concrete wall.

The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.

Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crack in the Wall

Crack in the Wall
A matrix of cracks in a very old cement wall.

Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up (Dan | Patty) or contact us for information. Visit us and see our prints!

Crack in the Wall. © Copyright 2022 G Dan Mitchell.

A matrix of cracks in a very old cement wall.

This is (yet another!) photograph of a subject that was not my primary target when I went out to make pictures. That seems to be a theme recently. To recap, when I go to photograph some particular subject, I keep my eyes open for other subjects that may be lurking nearby. There’s almost always something else interesting in the vicinity waiting to be discovered.

We were photographing spring flowers at an extensive public garden surrounding a historic mansion. We entered, following our usual path along a walkway that skirts the perimeter of a large semi-enclosed area. Stairs led me into this place, and as I poked around I became interested in the weathering of the old concrete wall — now covered by moss in places and filled with cracks. Among other things, I was intrigued by the dissonance between the nearly random form of the crack and the linear interruption of the horizontal edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Concrete Steps

Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.