“Red Boxes” — Two red boxes on the sidewalk below a street art panel, Aberdeen.
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
“Ivy Roots” — Intertwined ivy roots draping across a concrete retaining wall.
I have walked past this place scores of times — it is along one of my regular walks. I walk almost daily, often along one of a group of familiar routes. It had been weeks since I last did this one, so it was time again to visit it. As I walked along a creek and past some commercial buildings I “saw” something that I have certainly seen before, but not really noticed — a great wall of ivy roots stretched across concrete.
Shadows from nearby branches fall across a crached and weathered concrete wall.
The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.
Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up (Dan | Patty) or contact us for information. Visit us and see our prints!
This is (yet another!) photograph of a subject that was not my primary target when I went out to make pictures. That seems to be a theme recently. To recap, when I go to photograph some particular subject, I keep my eyes open for other subjects that may be lurking nearby. There’s almost always something else interesting in the vicinity waiting to be discovered.
We were photographing spring flowers at an extensive public garden surrounding a historic mansion. We entered, following our usual path along a walkway that skirts the perimeter of a large semi-enclosed area. Stairs led me into this place, and as I poked around I became interested in the weathering of the old concrete wall — now covered by moss in places and filled with cracks. Among other things, I was intrigued by the dissonance between the nearly random form of the crack and the linear interruption of the horizontal edge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.