Tag Archives: cement

Concrete Steps

Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shuttered

Shuttered
A snack vending stand, shuttered for the pandemic.

Shuttered. © Copyright 2012 G Dan Mitchell – all rights reserved.

A snack vending stand, shuttered for the pandemic.

This is one from the “Postcards from Pandemia” series of photographs that I occasionally make while out walking through and around my semi-locked-down world. The subject here is a building that I pass regularly as I walk through a nearby park. Typically this would be the busy snack bar for the local Little League fields, with parents working inside and kids and families lined up outside to buy candy, sodas, and other snacks. (Gummy Worms, anyone?)

But not this year. I still see the occasional small group of kids with a parent or two playing catch or practicing batting, but no games and no crowds. It is a bit less so now than it was back in late-March and early April when the world shut down around here. At that point I could walk and see virtually no one — I often just walked in the streets since there was no traffic.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Another Corner, Night

Another Corner, Night
A meeting place between planes of concrete, night

Another Corner, Night. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A meeting place between planes of concrete, night

The historic Mare Island Naval Ship Yard, especially at night, is a visually compelling location with a lot of large eye-catching features. This include the towering ship yard structures near the dry dock, the tower of the old power station, the huge factory buildings, old officers’ housing, and the ships that are sometimes tied up here or in dry dock. It is easy to spend a lot of time photographing these subjects with wonderful results.

On this visit I was, at least initially, less interested in those things. Instead I slowed down and went looking for hidden surprises — textures, pools of light, juxtapositions, color, and quiet places. Before long I found myself in a small area near the front of a dark building where concrete formations were lit by security lights and by the glow from the town of Vallejo across the water, and I stopped here for almost an hour to quietly make quiet photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.