It was a magical day on the far west cost of Scotland just above the Isle of Skye. We were on a long drive from Ullapool, and had just turned south along the shoreline towards the village of Applecross, which was going to be the far point of the day’s adventure. In a bit of a change from earlier weather, the sun was trying to make an appearance — and mostly succeeding, though there was an offshore rain shower between us and Skye.
Continue reading Skye, Rain Over the Inner Sound
I photographed this subject back in July on a long walk that took me to an area that is being redeveloped — or at least that is the story. The city (of San Jose) granted some extraordinary benefits to a very large corporation that promised to build a new campus in a somewhat blighted area. Hopes were high for renewal, but then the pandemic arrived, plans were delayed, and now no one knows when (or if) the plans will move forward. So, in the meantime, it seems that this corporation has decided to apply new paint to old buildings.
Continue reading Blue Feet
It may seem odd that someone cast as a “landscape photograph” is also intrigued by rough-edged urban scenes. To some these subjects may seem as radically different from natural landscapes as can be imagined, but I see connections. In fact, I like to think of photographs like this one from Aberdeen, Scotland as “urban landscapes.”
Continue reading Poetry 86
I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.
Continue reading “The Naked Emperor”