“Ivy Roots” — Intertwined ivy roots draping across a concrete retaining wall.
I have walked past this place scores of times — it is along one of my regular walks. I walk almost daily, often along one of a group of familiar routes. It had been weeks since I last did this one, so it was time again to visit it. As I walked along a creek and past some commercial buildings I “saw” something that I have certainly seen before, but not really noticed — a great wall of ivy roots stretched across concrete.
“Loading Dock” — An old loading dock, closed off with corrugated metal sheets.
This photograph is a companion to another one I recently shared featuring a different part of the same old building. It is a weathered structure with loading docks on both sides that is in a very slowly gentrifying light industrial area of San Jose. It has all the features you’d expect — it is next to an old rail line, it is on a fairly major street, and its exterior features concrete, corrugated metal, and very weathered wood.
I had been thinking about photographing it for a while but never seemed to get around to it, despite going there fairly regularly. There are now some newer businesses in the building that we patronize. I finally remembered to bring a camera as I went out for a long walk that would take me there, and I paused to photograph this old loading dock, now obviously abandoned, with its interesting textures and geometric forms.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Leaves Trace” — The trace of a departed autumn leaf on a concrete sidewalk.
I walk a lot, and I always carry a camera. At a minimum I have my smart phone, but most of the time I have a “real” camera in my bag. I don’t always photograph on walks, but from time to time I spot something that interests me. This was one of those times. Recent rains had leached the colors out of fallen leaves, staining the sidewalk with their autumn traces.
This photograph is a bit difficult to categorize. In a sense it is an “autumn photograph,” since the subject derives from that season’s leaves. But I made it in winter after those leaves had time to stain the concrete. In addition I’m not sure if it is an urban/street photograph or a photograph of nature. In the end, perhaps it doesn’t matter — it is just a photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Shadows from nearby branches fall across a crached and weathered concrete wall.
The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.
Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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