Tag Archives: concrete

Stairway, San Francisco

Stairway, San Francisco
A steep stairway ascends through a residential area of San Francisco.

Stairway, San Francisco. © Copyright 2022 G Dan Mitchell.

A steep stairway ascends through a residential area of San Francisco.

The terrain underlying the city of San Francisco is in many places quite complex. Before settlement it was a place of hills cut by streams, flatlands, and shallows that were later filled in to expand the available land area. I made this photograph in an area along a ridge where the “sidewalks” are sometimes more vertical than horizontal and mostly consist of stairways.

There’s something a bit mysterious about this bending stairway as it winds upwards and twists out of sight. The mixture of angles and textures here is also fascinating — wood and concrete, horizontal and vertical, rigidly aligned to the horizon and angled in odd directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Empty Lot, Paris #2

Empty Lot, Paris #2
An empty lot with graffiti in Paris, a 2022 rendition.

Empty Lot, Paris #2. © Copyright 2022 G Dan Mitchell.

An empty lot with graffiti in Paris, a 2022 rendition.

Almost any time I open up an old photograph for some reason other than pure curiosity — and sometimes for that reason, too — I reconsider it and make some minor adjustments that seem like improvements. That might seem odd in today’s world of digital post-processing and inkjet printing. Back in the film era, every print was a unique rendition, the result of physical acts in the darkroom during the printing process. It was literally impossible to do what is the norm today — to make every print exactly the same as the others. All of this is a long way of saying that I don’t see why an early version of a photograph should be the final say on it.

Recently I re-opened this photograph, made a few years back on an evening walk around the Montmartre area in Paris. It was surprising to find this empty lot in a crowded area and to note that it appears to have been empty for some time. There’s a lot going on in the scene, but that blue portrait catches my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Concrete Steps

Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Pedestrian Landscape

Pedestrian Landscape
A few through upper story windows toward street level pedestrians and geometries.

Pedestrian Landscape. © Copyright 2021 G Dan Mitchell – all rights reserved.

A few through upper story windows toward street level pedestrians and geometries.

This is one in a series of photographs from this spot and of this scene, mostly made on this visit to San Francisco, though there are a few made on other dates, too. The photograph is, obviously, made from a location up high in an urban building — high enough that it was possible to get a nearly vertical perspective on the street below.

There are a few things going on here that were interesting to me as I photographed. I’m photographing through the tinted glass of a modern building. Recently I’ve been interested in the effects of glass on iight and subjects in situations where its presence isn’t obvious. Here it lens an unusual, cool tone to the colors of the scene. As I photographed small numbers of people passed by on the sidewalk. It was interesting to watch their interactions as they approached and passed on another. In addition, from this perspective things in the scene that would ordinarily be almost invisible become central, especially the various kinds of geometries throughout the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.