Tag Archives: concrete

Photographs: Architecture, Photographs: Pandemia, Photographs: Urban/Street

Shuttered

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Shuttered
A snack vending stand, shuttered for the pandemic.

Shuttered. © Copyright 2012 G Dan Mitchell – all rights reserved.

A snack vending stand, shuttered for the pandemic.

This is one from the “Postcards from Pandemia” series of photographs that I occasionally make while out walking through and around my semi-locked-down world. The subject here is a building that I pass regularly as I walk through a nearby park. Typically this would be the busy snack bar for the local Little League fields, with parents working inside and kids and families lined up outside to buy candy, sodas, and other snacks. (Gummy Worms, anyone?)

But not this year. I still see the occasional small group of kids with a parent or two playing catch or practicing batting, but no games and no crowds. It is a bit less so now than it was back in late-March and early April when the world shut down around here. At that point I could walk and see virtually no one — I often just walked in the streets since there was no traffic.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco, Photographs: Urban/Street

Booklets

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Booklets
A portion of an old sign on the wall of a business

Booklets. © Copyright 2019 G Dan Mitchell – all rights reserved.

A portion of an old sign on the wall of a business.

From what I can tell, I’m not the only photographer who is occasionally distracted by subjects like this, nor the only photographer who photographs odd signs. I came across this one on a wall as I walked through an area of San Francisco. At this point, I suspect that the sign is largely forgotten — it was hidden behind a truck in an area along the fringe of a gas station.

There are several things that can be fun or interesting about these signs. For one, I’m intrigued by signs that are not associated with “name” businesses or products, but which are truly one-of-a-kind. Typically this means that they were built and/or painted by hand, and often some of the rough edges show. (Judging by the dark areas on the letters, I suspect that this wall was tagged, and someone painted the main wall but left the text of the sign “as is.”) The distressed quality of the wall is also interesting, with its peeling and fading paint. Finally, taken out of context like this, the letters of signs can become disembodied and divorced from their literal meaning… and they sometimes start to look rather odd.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco, Photographs: Urban/Street

Climbing The Stairs

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Climbing The Stairs
A woman slowly climbs stairs near the entrance to a tunnel, San Francisco

Climbing The Stairs. © Copyright 2019 G Dan Mitchell – all rights reserved.

A woman slowly climbs stairs near the entrance to a tunnel, San Francisco.

The last time I took one of my quick trips to San Francisco to do street photography was months ago, and I’ve been planning recently to get back up there. Yesterday I finally found time. My photographic ritual there is pretty straightforward: I get up very early and catch a train up the Peninsula, typically arriving by about 7:00am. I travel light, with only the gear that will fit in a very small shoulder bag that doesn’t really look like camera gear. I walk, and this time I wandered close to eight miles over the course of about four hours, traveling through some areas that are run down in interesting ways, through the center of the financial district, and into the Columbus and Grant and Stockton streets areaI.

I enjoy street photography for several reasons. To be honest, as much as I love the natural world, I also love cities, and even more I love wandering through them on foot. Photographically-speaking, they provide a rich lab environment for finding compositions, color, people, and more. Street photography is usually be done unencumbered by the bulky gear I often use for landscapes, and I love the spontaneous aspects of it. This photograph embodies a number of things that I look for when photographing street. I’m always attracted by color and patterns and light — and this scene just inside the end of a tunnel is full of all of these things.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: England, Photographs: Urban/Street

Pedestrians, London

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Pedestrians, London
People walk across a large expanse of concrete reflecting blue sky

Pedestrians, London. © Copyright 2018 G Dan Mitchell – all rights reserved.

People walk across a large expanse of concrete reflecting blue sky

It has been a couple of years since I made this photograph, so I may have forgotten portions of the story about its creation. We had been in London for several days (perhaps a week?) and were, as I recall, on our last day before heading on to our next destination. We had some free time, so we headed to the Tate Modern, not really knowing specifically what was showing. We arrived to find that there was a gigantic exhibit of Georgia O’Keeffe’s paintings. We are O’Keeffe fans and we’ve seen a lot of her work, so we were surprised to find such an extensive showing of this American artist… in London. Unfortunately, we had not left enough time to fully appreciate the show, not realizing how big it was, and we ended up hurrying through.

At some point – perhaps while waiting to enter the O’Keeffe show? — we had some free time so we headed to a snack bar, and nearby there was an overlook of the area in front of the museum. Most people probably enjoy the view across the River Thames here (and we did, too) but I was interested in what was happening in the large open area directly below. It was in shade, so the illumination was from the giant blue light panel of the sky. Some very small leaves had fallen and they produced a fine galaxy-like pattern on the surface. People stood about or walked past. I waited for them to arrive in interesting conjunctions and made a few photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.