Tag Archives: concrete

Photographs: San Francisco, Photographs: Urban/Street

Climbing The Stairs

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Climbing The Stairs
A woman slowly climbs stairs near the entrance to a tunnel, San Francisco

Climbing The Stairs. © Copyright 2019 G Dan Mitchell – all rights reserved.

A woman slowly climbs stairs near the entrance to a tunnel, San Francisco.

The last time I took one of my quick trips to San Francisco to do street photography was months ago, and I’ve been planning recently to get back up there. Yesterday I finally found time. My photographic ritual there is pretty straightforward: I get up very early and catch a train up the Peninsula, typically arriving by about 7:00am. I travel light, with only the gear that will fit in a very small shoulder bag that doesn’t really look like camera gear. I walk, and this time I wandered close to eight miles over the course of about four hours, traveling through some areas that are run down in interesting ways, through the center of the financial district, and into the Columbus and Grant and Stockton streets areaI.

I enjoy street photography for several reasons. To be honest, as much as I love the natural world, I also love cities, and even more I love wandering through them on foot. Photographically-speaking, they provide a rich lab environment for finding compositions, color, people, and more. Street photography is usually be done unencumbered by the bulky gear I often use for landscapes, and I love the spontaneous aspects of it. This photograph embodies a number of things that I look for when photographing street. I’m always attracted by color and patterns and light — and this scene just inside the end of a tunnel is full of all of these things.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: United Kingdom, Photographs: Urban/Street

Pedestrians, London

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Pedestrians, London
People walk across a large expanse of concrete reflecting blue sky

Pedestrians, London. © Copyright 2018 G Dan Mitchell – all rights reserved.

People walk across a large expanse of concrete reflecting blue sky

It has been a couple of years since I made this photograph, so I may have forgotten portions of the story about its creation. We had been in London for several days (perhaps a week?) and were, as I recall, on our last day before heading on to our next destination. We had some free time, so we headed to the Tate Modern, not really knowing specifically what was showing. We arrived to find that there was a gigantic exhibit of Georgia O’Keeffe’s paintings. We are O’Keeffe fans and we’ve seen a lot of her work, so we were surprised to find such an extensive showing of this American artist… in London. Unfortunately, we had not left enough time to fully appreciate the show, not realizing how big it was, and we ended up hurrying through.

At some point – perhaps while waiting to enter the O’Keeffe show? — we had some free time so we headed to a snack bar, and nearby there was an overlook of the area in front of the museum. Most people probably enjoy the view across the River Thames here (and we did, too) but I was interested in what was happening in the large open area directly below. It was in shade, so the illumination was from the giant blue light panel of the sky. Some very small leaves had fallen and they produced a fine galaxy-like pattern on the surface. People stood about or walked past. I waited for them to arrive in interesting conjunctions and made a few photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: France, Photographs: Urban/Street

Along the Seine

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Along the Seine
A man sits at the top of steps along the Seine River, Paris

Along the Seine. Paris, France. August 9, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man sits at the top of steps along the Seine River, Paris

Most of our time in Paris this past August was spent walking, and there are certainly plenty of great places to walk in this city! But Paris is big enough that sometimes it is useful to get around in other ways: train, bus, subway… and boat. So, after a few days of looking around on foot we decided to catch one of the river tours up and down the Seine through the city. We’ve done this in other cities and discovered that the boats often provide a very different view of things than what we see from the streets.

I quickly figured out that much of my photography from the river would best be done with a longer lens, so I put a telephoto zoom that I had brought along on my little Fujifilm XPro2 camera. Photographic subjects, when seen from a boat, often pass very quickly and there would be little time for lens changes. I photographed almost continuously — architecture, bridges, people along the banks of the river, and more. Here I saw a fellow relaxing against a wall at the top of a stairway leading down to a walkway along the river.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

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Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.