Tag Archives: concrete

Photographs: France, Photographs: Urban/Street

Along the Seine

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Along the Seine
“Along the Seine’ — A man sits at the top of steps along the Seine River, Paris

Most of our time in Paris this past August was spent walking, and there are certainly plenty of great places to walk in this city! But Paris is big enough that sometimes it is useful to get around in other ways: train, bus, subway… and boat. So, after a few days of looking around on foot we decided to catch one of the river tours up and down the Seine through the city. We’ve done this in other cities and discovered that the boats often provide a very different view of things than what we see from the streets.

I quickly figured out that much of my photography from the river would best be done with a longer lens, so I put a telephoto zoom that I had brought along on my little Fujifilm XPro2 camera. Photographic subjects, when seen from a boat, often pass very quickly and there would be little time for lens changes. I photographed almost continuously — architecture, bridges, people along the banks of the river, and more. Here I saw a fellow relaxing against a wall at the top of a stairway leading down to a walkway along the river.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

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Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Structures and Objects

Concrete Shadows

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Concrete Shadows
Light and shadow play across the surfaces of concrete structures, night

Concrete Shadows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Light and shadow play across the surfaces of concrete structures, night

This is another of my “quiet” photographs from this nighttime visit to the Mare Island Naval Ship Yard near Vallejo, California. Driving to the place this time I had decided that I wanted to spend some time not photographing the familiar subjects there. (Later that night I did photograph some of those, too.) I had some vague ideas in mind that involved textures and angles and effects of light, along with some other thoughts. As I drove into the area in the late afternoon I picked out a few likely spots to return to after dark.

The area of this photograph turned out be a productive one for me on this evening. I have always walked right past this building on previous visits, but one thing led to another and I ended up pausing there this time. The spot is a perfect example of how the mysterious light of night can transform a truly pedestrian subject into something interesting. This is the corner of a building and a short concrete pad that runs up against crude concrete walls that apparently hold a hillside at bay. But at night an overhead security light casts illumination straight down across the surface of the concrete wall, and produces a pool of light at its base. The nearer walls pick up subtle and colorful light from across the bay in the town of Vallejo.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Structures and Objects

Another Corner, Night

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Another Corner, Night
A meeting place between planes of concrete, night

Another Corner, Night. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A meeting place between planes of concrete, night

The historic Mare Island Naval Ship Yard, especially at night, is a visually compelling location with a lot of large eye-catching features. This include the towering ship yard structures near the dry dock, the tower of the old power station, the huge factory buildings, old officers’ housing, and the ships that are sometimes tied up here or in dry dock. It is easy to spend a lot of time photographing these subjects with wonderful results.

On this visit I was, at least initially, less interested in those things. Instead I slowed down and went looking for hidden surprises — textures, pools of light, juxtapositions, color, and quiet places. Before long I found myself in a small area near the front of a dark building where concrete formations were lit by security lights and by the glow from the town of Vallejo across the water, and I stopped here for almost an hour to quietly make quiet photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.