“Cotswold Trail, Clouds” — Clouds build above a trail through agricultural land in the Cotswolds.
For a hiker like me, with a lifetime of wilderness hiking and backpacking behind him, a “Cotswolds walk” is a new and different experience. I am used to single-person-width trails, usually rocky, and sometimes ascending to quite high elevations. On multi-day trips I have carried everything on my back. But here the trails are gentle, often passing between and through fields and pastures. And you carry only a few supplies for the day’s walk — you simply stop at a grocery or a pub in a small town at lunch time and buy something to eat.
“Posters, LIverpool” — A wall covered with posters in the Ropewalks district, Liverpool.
Every city has a unique character — though my perceptions can be affected by which parts of a city I visit, what I do there, and even the season. When we spent a few days in Liverpool recently, it was almost always gray and often wet, and our lodgings were in a section of the city that is vibrant and alive, though with some rough edges.
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.
If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.
This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Carpet of Color” — A nearly unbroken carpet of colorful autumn trees in New Hampshire.
As I have shared New England fall color photographs you may nave noticed that I often contrast that spectacle with my more familiar western aspen groves. One of the main reasons I made this photograph was practical — I wanted to illustrate just how significant that difference is. Aspens in California tend to cluster in relatively small and separate groves. Even the larger groves are typically surrounded by conifers, scrub, or open terrain. In autumn, the effect is often to produce small areas of color set off against areas with little or no fall color.
This photograph illustrates the difference in New England. I made it near a high point on New Hampshire’s “Kancamagus Scenic Byway, ” among the most popular places for viewing East Coast autumn color. You are looking down at a hardwood forest full of different trees of different colors. And the trees shown here are a tiny fraction of the forest that was spread out before me, rising from valleys toward the high ridges — with almost everywhere the same wild blanket of colors.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
