On trips like our recent one to the British Isles, I operate in at least two distinctly different photographic modes: landscape photographer (s my recent Scotland work) and street photographer. During our visit to Dublin I was almost exclusively in the latter mode. Dublin is a rich location for street photography. There are crowds of people, and the city has a vibrant, alive feeling. There are also lots of fascinating old and sometimes nicely weathered building.
Continue reading Sharpsville
Every city has a unique character — though my perceptions can be affected by which parts of a city I visit, what I do there, and even the season. When we spent a few days in Liverpool recently, it was almost always gray and often wet, and our lodgings were in a section of the city that is vibrant and alive, though with some rough edges.
Continue reading Posters, LIverpool
From my limited experience, this feels like a “typical” street of Lisbon’s Alfama district… except that the street is wider than many of the passageways. The lines suggest that it is two lanes wide — though I imagine that when a trolley goes up and down those tracks there isn’t a lot of room for anyone else!
There is a lot in this scene that attracted my attention. The street itself with its pairs of tracks and optimistic center dividing line is one. The stacked and tightly spaced buildings are another. And I love the saturated colors, from the nearly pure white to the many yellow buildings, and the bits of blue here and there.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Montpellier’s huge St. Pierre Cathedral (Cathédrale Saint-Pierre de Montpellier) is a historic Catholic Church in gothic style that was established almost 750 years ago. The south facade features a high exterior arch supported by these two gigantic round columns and topped with very pointed roof caps.
Such churches often seem to be found in the centers of historic districts cities like this, but in Montpellier it is a bit off to the side. When we visited there few people were walking near the cathedral, aside from a few passers-by and a couple of people entering the church. (We did not go inside since it wasn’t open for visits.) I photographed this woman walking past the base of one of the columns.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
This is riveting, Dan. The difference in magnitude between the solitary figure against the column, the muted tones that still deliver depth, and the graduated vertical play of light combine to create an engaging and beautiful image.
Thanks, Craig. Those columns are absolutely massive, and I was happy when the woman walked past and introduced a sense of their real size.
Dan
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