On trips like our recent one to the British Isles, I operate in at least two distinctly different photographic modes: landscape photographer (s my recent Scotland work) and street photographer. During our visit to Dublin I was almost exclusively in the latter mode. Dublin is a rich location for street photography. There are crowds of people, and the city has a vibrant, alive feeling. There are also lots of fascinating old and sometimes nicely weathered building.
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What is it about bicycles? They turn up as photographic subjects all the time, on their own and as characters in street photography. (One for my favorite photographs by Henri Cartier-Bresson features a bicycle.) It probably has something to do with things they represent or are associated with: a slower pace, the sensations of wind as you ride, closer contact with our surroundings. That is all preamble to this “bicycle photo” of mine, made on a street in Montpellier, France.
If I recall correctly, this may have been our last morning in this charming city before we left France and moved on to Zaragoza, Spain. While the title mentions the bicycles and they are prominent in the frame, I think that photograph is more about the lovely, soft light and the colors of the red door and the fascinating green plant growing next to it.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph captures the comfortable yet ssometimes-cruffy character that we saw in Bologna. A couple of people sit at outside tables located under on of the ubiquitous porticos, between old, weathered columns. Racks hold bicycles, also common here, and an impromptu string of lights is ready for the evening hours.
Some Italian cities that we’ve visited, especially some smaller ones, have a sort of quaint charm. Others, perhaps like Milano, can present a kind of sophistication. In others, like Florence, history seems to be at the forefront. To me, Bologna feels a bit more rough-edged and unpretentious, but in an altogether pleasing way.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Street Vendor Belts. © Copyright 2023 G Dan Mitchell.
A rack of belts at a street market in Florence, Italy.
I photographed this rack of (presumably knockoff) belts in all colors and textures along a bustling and crowded street market outside of the Mercato Centrale building in Florence. Given the heavy tourist traffic in this city, it is no surprise that this market is extensive and crowded. Eventually I will likely share photographs that show more of the market, unlike this one which is just about the colors and shapes of the products on this rack.
These markets are in pretty much every European city that we have visited — from Italy to Kosovo — and especially in those oriented to tourist traffic. I have mixed feelings about them. On one hand, they seem to employ a lot of folks, and if you are careful you can probably get some stuff for very low prices. On the other hand, there’s a lot of items of questionable vintage, and if you think you are getting something of great value, well, just be careful!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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