The photograph comes from a trip some years back that took me to Capitol Reef National Park. Although it was challenging to find the right composition, I wanted to get a photograph of this bend in an anonymous red rock canyon where trees were tucked into the edge of hollowed out rock. The feature is fascinating, but it is more or less unmarked, like so many similar features in this landscape.
Continue reading A Red Rock Canyon
Our late-February visit to Death Valley mostly focused on two subjects — Lake Manly and the wildflower bloom. At first I thought we might forego visiting the dunes at all on this trip, but on our last morning we decided to make an early-morning stop before we headed out of the park.
We arrived quite early — too early, actually. It was still dark when we got there, so we took our time getting our gear together before walking out into a quiet section of the dunes. The ight conditions were not promising, as the sky was rather overcast. While that wasn’t great for photographing the dunes themselves, the soft light was good for photographing small plants and other intimate subjects, like this brown-eyed evening primrose plant.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.
This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.
I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.