Just a few days after sharing a post in which I mentioned that I photograph a lot of subjects that are not icons… here is a photograph of an icon! This scene in the town of Portree, Isle of Skye is definitely in that category. I’m pretty sure that this scene will show up if you search (or as I hear I should now say, “search up”) “Portree.” It is an attractive row of colorful buildings, and their reflection in the water adds to the effect.
Continue reading Colorful Buildings, Portree, Scotland
Near the ned of our May-June travels we spent a week in Belgium, our first time visiting this country. Our final stop there was in Brussels, and one day we took the train from there to make a quick visit to Ghent. As is so often the case in such cities, Ghent has an inner “old town” section with lots of historic buildings, including a rather remarkable collection of churches and steeples.
I made this photograph from a bridge over the Leie River, from which there was a longer view of the curving waterway, the roadway and walk way that follow it, and some of the surrounding buildings. Not surprisingly in this part of Europe, it was another cloudy day.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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The photograph comes from Antwerp. We were in Belgium at the end of May and beginning of June. Adding Belgium to a trip that was mostly in Portugal and Spain was a bit of an afterthought, but we managed to stay in Antwerp, Bruges, and Brussels, and make a day trip to Ghent. It was a lot to see in one week, and with more time we might have spent extra days in Antwerp and Brussels.
On the day that I made this photograph we headed out on one of our typical wandering walks. It took us towards the waterfront, where it appears that some sort of long term redevelopment project is underway. An urban walkway traverses much of the area, but there’s also still a certain amount of interesting street art.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
On this evening we had crossed the Douro River via the famous Dom Luis I bridge to join the throngs watching the sunset from its south side. People staked out viewing locations almost everywhere, though the Garden of the Moors area seemed to be the most popular — with musicians and food carts ad more. We took a different approach and climbed up to the Mosteiro da Serra do Pilar.
After sunset we started our walk back to the north side of the bridge and our lodgings along the edge of the Ribeira district. Dusk was arriving as we re-crossed the bridge, so I paused to photograph the scene — the lively waterfront area, the buildings rising up from the river, the water’s winding path toward the sea, and some evening clouds overhead.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.