“Max Headroom 14 Feet” — A roll-up garage door in an alcove, Aberdeen.
Our May visit to Aberdeen, Scotland marked a transition on our trip. We had just completed a week-plus driving tour of Northwest Scotland, where we spent a lot of time in rural and wild areas. After returning our rental car in Inverness, we went straight to the station and boarded a train to Aberdeen, where we planned a quiet stop before heading on to Ireland. Why Aberdeen? Patty had visited the city decades ago when she went to the UK for an international orchestra festival. She wanted to return and see what she might remember of Aberdeen.
“Green Chain” — A chain casts a shadow on a corrugated metal wall.
I have admitted to a fascination with graphical elements — shapes, textures, colors, curves, and more. Finding them in the urban or natural landscape can make fairly mundane subjects interesting, at least to me. Here we see a small section of the corrugated metal wall of a very green industrial building. A couple of loops of chain hang from a gap between panels, for reasons that seem inscrutable.
“Cemetery Gate” — Cemetery, gate and stairs, Kirk of St. Nicholas, Aberdeen.
Often when I make a photograph I remember a lot of specific details about the subject, how it looked, and why I chose to photograph it. But I’m not always good about recalling specific locations. (In many cases the “what” seems more important to me than the “where.”) I’m pretty certain that this is an entrance to the cemetery around the Kirk of St. Nicholas in Aberdeen, Scotland. But while I recall the general layout of the place and the subjects I saw, I’m not precisely sure about the location beyond that general description.
“Red Boxes” — Two red boxes on the sidewalk below a street art panel, Aberdeen.
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.