“Max Headroom 14 Feet” — A roll-up garage door in an alcove, Aberdeen.
Our May visit to Aberdeen, Scotland marked a transition on our trip. We had just completed a week-plus driving tour of Northwest Scotland, where we spent a lot of time in rural and wild areas. After returning our rental car in Inverness, we went straight to the station and boarded a train to Aberdeen, where we planned a quiet stop before heading on to Ireland. Why Aberdeen? Patty had visited the city decades ago when she went to the UK for an international orchestra festival. She wanted to return and see what she might remember of Aberdeen.
“Green Chain” — A chain casts a shadow on a corrugated metal wall.
I have admitted to a fascination with graphical elements — shapes, textures, colors, curves, and more. Finding them in the urban or natural landscape can make fairly mundane subjects interesting, at least to me. Here we see a small section of the corrugated metal wall of a very green industrial building. A couple of loops of chain hang from a gap between panels, for reasons that seem inscrutable.
“Cemetery Gate” — Cemetery, gate and stairs, Kirk of St. Nicholas, Aberdeen.
Often when I make a photograph I remember a lot of specific details about the subject, how it looked, and why I chose to photograph it. But I’m not always good about recalling specific locations. (In many cases the “what” seems more important to me than the “where.”) I’m pretty certain that this is an entrance to the cemetery around the Kirk of St. Nicholas in Aberdeen, Scotland. But while I recall the general layout of the place and the subjects I saw, I’m not precisely sure about the location beyond that general description.
“Red Boxes” — Two red boxes on the sidewalk below a street art panel, Aberdeen.
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
