“Green Chain” — A chain casts a shadow on a corrugated metal wall.
I have admitted to a fascination with graphical elements — shapes, textures, colors, curves, and more. Finding them in the urban or natural landscape can make fairly mundane subjects interesting, at least to me. Here we see a small section of the corrugated metal wall of a very green industrial building. A couple of loops of chain hang from a gap between panels, for reasons that seem inscrutable.
Three white foxglove flowers hanging from a branch in shade.
Most of the time when I photograph foxglove flowers I tend to work with the vertical stalks of very colorful flowers, and I try to use a point of view that lets us look into the individual flowers. For one thing, there are often some fascinating patters inside the blossoms. But this time I decided to go in a different direction with this photograph of flowers hanging from a horizontal stalk.
The flowers were growing in a shady area and it was early evening, so I had very soft light to work with. By shooting across the hanging flowers I was able to put three of them in the frame but also include some background flowers behind them. And somehow the monophonic interpretation seems right in this case.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
While walking recently I came across a scene — in a quiet urban neighborhood — that reminded of writers who speculate about what photographs might tell us and about the questions they may pose. How do photographs work and what do they convey?
Sometimes the questions seem to outweigh anything else.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Yosemite’s Bridal Veil fall emerges from a hanging valley among monolithic granite cliffs in late afternoon light
Late on a winter afternoon, the shadow of cliffs to the west rise up past Yosemite’s Bridal Veil fall and into the hanging valley from which it springs. The valley’s still-sunny eastern slope is covered with brush and trees, but the rest of the scene is almost entirely one of granite, from the relatively gentle V-shaped valley of Bridal Veil Creek to the vertical cliffs of the wall over which the water flows and the base of taller Sentinel Rocks beyond.
Bridal Veil fall comes out of a classic hanging valley. Apparently the creek descended toward a much older Merced River canyon even before glaciers finished (for now, anyway!) carving Yosemite Valley, and this creek cut is own beautiful V-shaped valley. (The V-shape is characteristic of river valleys. If you want to understand more of the life of a creek, when you visit Yosemite you can drive toward Glacier Point and cross the very shallow valley of this creek at a higher elevation. I’ve cross-country skied to it a number of times.) When the Valley was cut into its deeper U-shaped form, the existing valley of Bridal Veil creek was left… hanging.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email