Near the end of May we did a weeklong walk in England’s Cotswolds. Ours was not the longest walk, and our mileage was less than it might have been on more aggressive walks. (Basically, we did an out-and-back loop starting and ending at Moreton-in-Marsh.) The plan was to enjoy the walking, but have plenty of time and energy to enjoy the towns we passed through and stayed in each night.
Continue reading Four Cotswolds Trees
I look for a various things when photographing cities — people, architecture, color and texture, special light, subjects that characterize the area… and things that just seem a bit odd, out of place, and hard to explain. This photograph falls into the last category, though I also like the contrast between the pure white of the chair and the darkness and heaviness of the rest of the scene.
Continue reading Chair, Steps, and Door
Often when I make a photograph I remember a lot of specific details about the subject, how it looked, and why I chose to photograph it. But I’m not always good about recalling specific locations. (In many cases the “what” seems more important to me than the “where.”) I’m pretty certain that this is an entrance to the cemetery around the Kirk of St. Nicholas in Aberdeen, Scotland. But while I recall the general layout of the place and the subjects I saw, I’m not precisely sure about the location beyond that general description.
Continue reading Cemetery Gate
I have written before that we (or at least I) don’t always know everything ahead of time about places we visit. While it isn’t good to be completely ignorant, I think that this allows for surprises and “discoveries” and sometimes takes you to places and experiences you might otherwise miss. Anyway, that is my excuse for arriving here, on the drive from Inverness to the Isle of Skye, unaware of the remarkable Eilean Donan Castle.
Continue reading Eilean Donan Castle, Inner Sea