Although it might see counter-intuitive for a place like Death Valley National Park, these mountains typically are snow-capped in the winter. The highest point in the Panamint Range is Telescope Peak, at an elevation of just above 11,000′. That puts it in the alpine zone, and although moisture is usually scarce here, when it does come it can produce snow at that elevation. A cold storm had recently passed, and the snow level in the photo is lower than usual.
“Photographer, Canyon Country” — A photographer at work deep in a Southwest Utah sandstone canyon.
Deserts offer few clues about the scale of the landscape. Unlike forest scenes, where trees often provide a frame of reference, plants often play a lesser role. Even when there are plants it can be unclear from a distance whether they are large trees or small shrubs. Here the inclusion of the human figure clarifies the scale of the grand Utah red rock landscape.
“Blue Playa” — Intensely blue dry mud on Death Valley’s hidden “Blue Playa.”
I have photographed in Death Valley National Park for almost three decades. I have heard whispered rumors of this remarkable “Blue Playa” for years, but no one would share anything definite about it. All I knew was that somewhere in a remote and seldom-visited area of this vast park there was purportedly a small playa featuring astonishingly colorful soil which, in the right lighting conditions, is so blue that it rivals the color of a clear sky. This has been on my mind for years.
Since those who know weren’t talking, it was clear that I’d have to do some sleuthing. All I knew was that the place is remote, surrounded by difficult mountains, and not terribly large. Out of respect for the feature — and concern about potential damage should the location become widely known — I’m going to omit specific details. But here’s as much of the story as I can share publicly.
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.
If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.
When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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