“Canyon Trees, Layered Rocks, Autumn” — Layered rocks and small trees with the last leaves of autumn, Utah.
This was a magical spot at a deeply-shadowed bend in the canyon of an Utah River. A small group of us had spent the morning working our way slowly through a section of red rock canyon, alternating between sun in the straight sections and shade where the river inevitably made the next bend. At every bend we would peek around the corner, see something interesting, and say, “Just to the next bend.” Finally, we ran out of time at this point, photographed here, then turned around and started back.
Layers of thin, low-level fog hug the rugged Big Sur coastline of California
Over the course of many trips down through the Big Sur coast of California I have gotten acquainted with a range of weather, atmosphere, and light conditions. My favorites come during part of the year that starts now — late fall through early spring. It can be bright and sunny with warm temperatures, but more often there is wind, big surf, a passing weather front, or fog. One of my favorite conditions sometimes arises when there is a combination of sun and big surf from distant storms far offshore. The light is brilliant, but low fog and spray hugs the immediate coast.
It was that kind of weather during our early December day trip partway down this section of the coast. We could see new travel restrictions coming, and we wanted to get out before they arrived. (Because we can do this as a day trip, with no stops for food or gas along the way, it is safe for us… unlike overnight travel.) As we headed south the low coastal fog was usually backlit, as it is here, producing very dramatic effects.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The red and gold leaves of an autumn maple tree against the lichen-covered and layered sandstone walls of a slot canyon, Zion National Park
When we passed through Zion National Park about a week and a half from the end of October, it was mostly too early for fall color in Zion Canyon, but things were starting to get interesting in the high country along the Mount Carmel Highway, where we spent most of a day looking for and photographing fall color, red rock, canyons, and much more. It seemed to me that the predominant sources of autumn color here were maples, and some of them were quite brilliant.
This tree was growing along a wash at the bottom of a red rock canyon which in places took on the appearance of a slot canyon. Between the tree, with its golden-yellow, oranges, greens, and bits of red, and the cliff, with shades of brown, white, red-orange, and even blue and purple, it is hard to think of very many colors that don’t make an appearance here. I of course liked the colors of this tree, but I also found the water-sculpted steep canyon walls to be interesting, with their folded shapes, lichen, and brighter color where the underlying rock could show through.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A small plant with yellow autumn leaves grows from a diagonal crack in wall of layered sandstone, Zion National Park
I’ll start off by admitting that I now don’t recall exactly where I made this photograph on this day when we visited Zion National Park. I’m virtually certain that it in the high country along the Mt. Carmel Highway that crosses the park from east to west, but where on that highway I’m not certain. Of course, some crack in the rock with a bush growing out of it hardly is likely to be an iconic, named location!
What I do recall is that we spent a good portion of this first trip’s first day in Zion along this road, and to some extent driving back and forth along it a few times, watching for new subjects as the day’s light evolved. At times a cliff that had been in sun earlier in the day would be in shadow later, so we had a choice to photograph in soft light or harsh. All along this roadway there were the usual interesting subjects – sedimentary rock formations of all sorts and all colors – but also at this time of year the fall color show was beginning. I believe that this little vignette might have been down in one of the washes or slot canyons that we dropped into in search of this color.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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