“Autumn Trees, Canyon Wall” — A small grove of autumn cottonwood trees next to the wall of a Utah canyon.
A few years ago three of us explored a long section of narrow canyon in Utah, looking for photographs in this rich landscape. We started in a broad valley where a stream flowed between low hills, but soon the walls rose and steepened and the valley narrowed, and we found ourselves following a creek. The canyon was alternately wide and then narrow and constricted.
“Photographer, Canyon Country” — A photographer at work deep in a Southwest Utah sandstone canyon.
Deserts offer few clues about the scale of the landscape. Unlike forest scenes, where trees often provide a frame of reference, plants often play a lesser role. Even when there are plants it can be unclear from a distance whether they are large trees or small shrubs. Here the inclusion of the human figure clarifies the scale of the grand Utah red rock landscape.
“Cottonwood and Sandstone” — A cottonwood tree with autumn foliage grows against Utah sandstone.
Right up front, a few things about this photograph. First, it is not recent — I photographed this scene back in 2014. I have been busy reviewing old raw files recently, and this one came up during that process. Second, unlike some of the others resulting from this review, this is a photograph that I have shared before, albeit in a different form. What you see here is a very different crop from the original, and by eliminating some elements from the original image I think I have significantly changed the effect.
The location is a place far out in theUtah backcountry — not exactly inaccessible, but not easy to get to. I was part of a group of a half dozen photographers who four-wheeled it out there and set up camp for days so that we cold photograph the heck out of the area. Sadly, from what I hear, this tree is no longer living, perhaps having succumbed to a drought and heat.
Overlapping ridges of red strata in the Utah backcountry.
Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.
One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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